Columbo
pfm Member
A lot is down to the number of power supplies and regulation and also keeping low level and hign level cicuits from affecting each other.
Pre/Power can look like the best way to go in this respect. Although:
The seriously big integrated; they can be as though a pre power has been packaged into one box and have multiple psu/regulation and enough space inside to keep circuits suiatably apart.
Also down to the skill of the designer and how much you are willing to pay.
Exposure are a good example of a designer on top of his game and producing an Integrated 'the 3510' that is so well designed that it will give many a pre /power a very good run (apart from even their own, who would have thought!)
Good point. It does seem a lot of chunkier integrates pack a lot into one box (my preference is for less clutter unless there's a signifcant sq gain to be had)
It's mostly about perception. More boxes looks better but brand matters too.
So say you live in a council house, with non- functional luxury car in the front garden, a Technics midi will probably do the job. If you own golf clubs or a working Audi you might want to look at some UK brand speakers to go with it.
If you own a small business, B&O is a safe bet and if you own the people who own businesses then go for a high end brand like Linn, Naim or Macintosh. Naim are good as they offer phenomenal box count potential but avoid their cheaper Chinese one-box offerings as is it just makes you look like a wannabe.
It's important to put the system in a prominent, highly visible spot, ideal where it can be seen through the window by passers by. A TV so big you could watch it from space helps but only if you're not in the Bentley brigade. If you are then no TV at all is the classier option.
Hope this helps?
Ha. I like my gear to be heard and not seen, tucked away in a unit in a state of slightly overheating (note to self: drill some more vents into the unit)
A huge limiting factor for me of a lot of options is inputs/routing etc. My main system is vinyl, CD/streaming, open-reel tape, cassette and a little mixing desk. My preamp facilitates all this, including off-tape monitoring, plus provides balance adjustment, and I even have one input and a power-amp output free (it has two). An audiophile valve preamp (it is a JC Verdier Control B) having this level of flexibility is very rare. It is actually even more versatile as the power amp output can be set at different levels which helps matching with other components. Whenever I think about exploring other option I usually slam into a wall pretty fast as so little even meets my core functionality needs. Maybe some ‘80s Audio Research preamps, plus ‘70s-80s Japanese high-end such as Accuphase etc. Very little else comes to mind. So little modern kit has a proper tape-loop, a lot misses a phono stage, and most lacks a balance control.
I'm streamer and done. That's a whole bunch of cabling you must have going on!
Thanks all. Guess it's a game of try it and see. I do like the idea of being able to tweak more, but also like the low faff, less clutter. Hmmn.