I had the pleasure of borrowing SQ's newly fettled dac today.
I cancelled all plans and stayed in listening for 12 hrs. A well rewarded time. I wrote John a note with my impressions and should probably post it here too, so;
''Hi John.
I've had the modded M-dac playing at mine for 10 hrs now non stop.
Ill not beat about the bush, it is a fabulous upgrade.
I've no idea what you've done but it is, without exaggeration, almost a new machine.
Obviously the house sound as it were is very similar, but the work has added to it in spades.
First and most obvious to me is the extra depth I can 'see' into each and every track, the extra detail is providing a much, and I do mean much, bigger soundstage. Instruments are now not only truer to the original but are more widely and accurately spaced.
Its much easier to pinpoint a player's position and contribution.
Wonderful stuff!
Female vocals (Diana Krall, Kate Bush, Katie Melua and Nikki Yannofski so far) are that much more true to life in that hushed breaths and pauses are so much better revealed. The extra delightfulness of this would be difficult to overstate for my taste.
And now to the bass. Leaner and cleaner without losing any scale, and it has more impact when it's supposed to.
A well whacked bass drum now sounds visceral. In fact all my bass driven music is feeling more 'funky' if I can use such a term? In any case my foot tapping is more obvious now.
All in all quite excellent John.
If I had to pinpoint just one thing that was blindingly obvious (but I couldn't, not just one) it would be the extra silence, ironically enough.
In quiet passages especially, the extra insight must mean a quieter background?
It's not just in quiet passages though, even driven rock is cleaner.
Just one more thing as I'm getting a bit carried away here, is the extra texture to every sound. In fact I'm happy to say I didn't truly know what people meant by texture in music until today.
Specifically, fret movement, the timbre of cellos, the huskiness of vocals, fine finger work on piano and double bass and wood on drum skins are all that little bit more realistic.
Mozart's Divertimentos never sounded so brisk and apparent.
Bloody marvellous all round John. However long you worked on this it is time very well spent indeed.
Ill stop there, though I could say much more, as I don't want to get too flowery
I'm going to be genuinely bothered when Simon returns for this tomorrow morning.
Best of luck for all your new stuff John.
You have a customer for life here.
Regards, Arthur.