I've changed my mind about this duckling
Its a sculptural looking beauty.
I've always hated those decks, the ones with the daft picture frame around them. Apart from the fact that it's stylistically weird, those frames cost money to add yet do not improve the sound whatsoever. Totally superfluous. Just bad design.
The plinth on a Linn by contrast is structural so justifies its place.
Why are you writing so much about this Rega thread if you hate them?
And then there are the various Record Store Day specials which were hybrids. RP1/P1's with some elements of P2 or P3?
Do you a problem understanding English?.
The ones with MDF platters were not Planar 2s but P2s, there are two variations, one from around 2000, and another from around 2004 iirc, I had the latter and it was cracking VFM.There have been so many variations of turntables with the same or similar names it's almost impossible to identify them that way.
You’re welcome to come and listen to mine, I’m fairly sure you wouldn’t be disappointed!I've always hated those decks, the ones with the daft picture frame around them. Apart from the fact that it's stylistically weird, those frames cost money to add yet do not improve the sound whatsoever. Totally superfluous. Just bad design.
The plinth on a Linn by contrast is structural so justifies its place.
AIUI, as with P9/P25, these frames allow the plinth to be both lighter and stiffer, whilst at the same time contributing very little resonance due to being minimally connected at or near resonance nulls (i.e. the corners).I've always hated those decks, the ones with the daft picture frame around them. Apart from the fact that it's stylistically weird, those frames cost money to add yet do not improve the sound whatsoever. Totally superfluous. Just bad design.
Yes, whatever they’re doing, it’s a significant leap over any P3 variant I’ve heard. I’m sure much of it is to do with the lovely RB700, but it is quieter too.AIUI, as with P9/P25, these frames allow the plinth to be both lighter and stiffer, whilst at the same time contributing very little resonance due to being minimally connected at or near resonance nulls (i.e. the corners).
Also, like the even more stylistically unusual frame round your RP10, they keep the dust cover from crashing down onto the tonearm.
I've always hated those decks, .
..these frames allow the plinth to be both lighter and stiffer, whilst at the same time contributing very little resonance due to being minimally connected at or near resonance nulls..
I stand, or sit, corrected. Although I still hate the way they look.
AIUI, as with P9/P25, these frames allow the plinth to be both lighter and stiffer, whilst at the same time contributing very little resonance due to being minimally connected at or near resonance nulls (i.e. the corners)
I've always hated those decks, the ones with the daft picture frame around them. Apart from the fact that it's stylistically weird, those frames cost money to add yet do not improve the sound whatsoever. Totally superfluous. Just bad design.
The plinth on a Linn by contrast is structural so justifies its place.
Are you sure about that?I totally agree with you. If I had one of those decks I'd immediately remove that weird frame. That decorative moulding contrasts against the minimalist beautiful Rega style.
Keen Rega fans may recall that, at the end of 2005, P2 (2000) was unceremoniously dropped from the line, making P3 the entry model (discounting Planar 78) until the introduction of P1 in October 2006, followed by 'The New Rega P2' with 'brand new stablised 22mm platter design to give greater speed stability' in December of that year.The P2/2000 had a silver painted MDF platter, there was another version that came slightly later with a larger chamfered black painted MDF platter.
Are you sure about that?