Tony L
Administrator
I fear that a lot of this stuff is appreciating while our generation is around and relatively affluent. The next generation are likely to care less for it. Of course, once your dead, it doesn't matter.
It is always hard to tell. I like to think I understand the record market pretty well, but even there some old music falls off the bottom (e.g. rock ‘n’ roll) as its initial buyers die but other forms (e.g. jazz) continue to fly upwards reaching new young audiences that we’re even alive at the time (I wasn’t for much of it).
Hi-fi is interesting too as the real classic kit (idler decks, valve amps, huge horn speakers etc) is again before my time. I couldn’t have bought the system I have in the front room as I’d have been about three to six when much was current. The Leak TL-12 Plus amps upstairs are about five years older than me. As such this isn’t a nostalgia, it is an interest in a specific golden age of audio design that has stood the test of time. Same arguments for a 57 Strat, Les Paul or an original Arp 2600, VCS3 or whatever. Some stuff just transcends its generation.
My thinking with Lego sets is any nostalgia market for sets just has to be way younger than me as it was pretty much just bricks in my day. That means a lot of kids who desperately wanted say the new Bowser, Harry Potter or whatever but parents said no could be a prime customer in 15-20 years time.
PS I wonder at what point JKR becomes such an outspoken TERF that the diverse and tolerant Lego back away. Her latest book sounds awful.