I had a pair way back. Tall and slim and always felt I could easily knock them over. Beautiful, highly polished veneers. But bit lacking in character after the seriously ugly Naim IBL’s. Fortunately, locally sourced cheap Shahanian Arcs dug me out of that particular hole I’d dug.
I was surprised to find my older brother had a slim set of totems and they sound rather nice in his Naim set up.
I already own Mites and Hawks. I previously had the Skylight but I think that was a miss. Thanks for your input. Also those are lovely speakers.I own a pair of Totem Forest Signatures and absolutely love them. I also own the Kef Q series and Monitor Audio Silver and though I’d add B&W to the mix seeing as I enjoy British made speakers/sound but was introduced to Totem and was blown away! Enough so that my father and me both ended up purchasing the same speakers after auditioning them.
I’m in the process of building a new home and have been dealing with the builder/architects to create a music room separate from my home theatre room and plan on purchasing a second set of Forest Signatures (but if the budget and wife allow-the Metal series).
Totem are a very musical speaker with great imaging. I must confess I was skeptical at first seeing as I am used to speakers with multiple bass drivers but have been completely satisfied with no regrets.
I look forward to seeing your new purchase/decision.
Happy shopping!
I believe those were supposed to be the stand mount version of the hawks. I believe the rainmaker is better than the skylight that replaced it.I had the Rainmakers a few years ago. A fun little speaker.
I was a big fan. Used to own the original Model 1 as my main speakers in the 1990s when they only had two models, this and the even more amazing Mani 2. Compact speakers that went deeper than you'd expect for their size.
I had the Model 1 against a number of BBC style monitors over a month or so once, Rogers LS5/3a, Chord LS 5/12a and Harbeth P3. In comparison they all sounded slightly veiled, lacking in bass extension and punch, and small. The Totem was bigger and more open, went deeper and was much more dynamic.
Since then Totem has expanded its range and I've not kept up with the newer models aside from a couple of shows where they usually sound good. I think you can still get the Model 1 which is now a signature version.
Based on what I know about the Mani 2 the NAP 300 is probably the minimum to properly drive them. Isobaric designs are brutal electrical loads.One good thing about Totem is they keep the crossover as simple as possible with high quality components. This leads to a very natural sound that is open and allows for a good soundstage as well.
I heard the Mani 2 driven by a Naim NAP 250.2 a few years ago and was totally impressed by the depth of bass notes and huge scale and authority for their size.
Funny, I loved the sound of the Arros after getting over my initial shock of how unimpressive they look in terms of size. My wife even teased me when I brought them home to audition and asked if they came in Men’s. I almost purchased them as a second set of speakers for another room but decided to upgrade my Rega Rp6 to a Rp10 in my music room instead. They have always been in the back of my mind tempting me- enough so that I contacted Totem to ask if they would install the three high gloss black feet instead of the original, which they said they would.Were they the Arro?
Funny, I loved the sound of the Arros after getting over my initial shock of how unimpressive they look in terms of size. My wife even teased me when I brought them home to audition and asked if they came in Men’s. I almost purchased them as a second set of speakers for another room but decided to upgrade my Rega Rp6 to a Rp10 in my music room instead. They have always been in the back of my mind tempting me- enough so that I contacted Totem to ask if they would install the three high gloss black feet instead of the original, which they said they would.
I started playing the Lottery- who knows, maybe someday.