What's the view from the listening position @deaf? It looks like you have a chair/sofa up close by the speakers there, with records behind it, is there another seating position further back again?
Small room so nearfield, 6 ft-ish tweeter to listening position.
When we moved a few years back I got a dedicated room but compromised on size. Figured the speakers wouldn't work and they didn't initially. Much experimentation and ended with a system that sounds much better than it ever did in the larger but more restricted room we had previously. Not especially wide but very deep soundstage with great layering, the speakers disappear. There's an element of personal preference, some may prefer the balance further back in the room
Small room so nearfield, 6 ft-ish tweeter to listening position.
When we moved a few years back I got a dedicated room but compromised on size. Figured the speakers wouldn't work and they didn't initially. Much experimentation and ended with a system that sounds much better than it ever did in the larger but more restricted room we had previously. Not especially wide but very deep soundstage with great layering, the speakers disappear. There's an element of personal preference, some may prefer the balance further back in the room
How are you finding the Bel Canto transport?
Pretty much full spec LP12, Bel Canto Cd3t transport, Devialet 400 monos and Neat Ultimatum MF7, and racks by Hutter.
I spent a good few hours yesterday re-arranging my room. The desk has been removed so the room is now purely a listening, entertaining space (additional seating arriving imminently but it will never comfortably accommodate more than three people!). The main differences in terms of layout are much more space around the speakers, which are now well over half a metre from the rear and side walls and the listening position is also half a metre from the rear wall. The distance between the speakers and to the listening position have remained the same so 1.8m between tweeters and roughly 2m to the listening position.
The change in sound presentation is quite dramatic. Gone is the tendency for the bass to bloom and thicken Although this was not a significant problem and only made its presence very obvious on certain tracks, it is apparent now that the problem was still causing a lack of fidelity in other areas, it just wasn’t as apparent.
The sound stage is now significantly larger, especially in terms of depth; imaging is greatly enhanced and the scale and dynamics are greatly improved. On the downside however, the sound is much brighter, perhaps a little brittle at the top end. I am guessing this is down to the window now being a more reflective component overall but I have plantation shutters coming and this should hopefully address some of that. I have a drop cloth I can attach to the lower part of the window as a temporary measure and will see if this helps dampen things down.
Music server is still not here but other small changes include using Graphite Audio isolation cones between the speakers and the stands and under the Lampi and pucks under the speaker stands. Under the DAC the effect is to improve details, clarity and overall cohesion of the music. Under the speakers the improvement is more in scale and dynamics. Added together they make a huge difference, bigger even than buying expensive cables ;o)
I’m also testing an Ideon Audio re-clocker, which is the little device sitting on the middle shelf. I’m not sure how much this is adding as I’ve not really being paying much attention. The server I have coming should have one of these devices included in the build spec.
IMG_0696 by Greg Turner, on Flickr
IMG_0702 by Greg Turner, on Flickr
How are you finding the Bel Canto transport?
Those power amps are a work of art. I'm sure you've listed it before, but what are they again?
Very nice. What does the system comprise of and are those speaker stands custom made?
Seriously? Is that one of the conditions of Brexit or something?
...
Summing it up "straight bananas"As I don’t think you got an answer on this, I’ll just chip in. As you may know one old foot was 30.48 centimetres. This caused a lot of difficulty as it isn’t easy to do exact conversions in your head. As part of Brexit we are returning to feet and inches, but the EU insisted that the ratio to cm be simpler. They suggested 30cm=1nFoot (the new Foot is to use the nFoot nomenclature to avoid confusion). However, it was considered risky making an nFoot shorter than the old foot, as folk might feel they were being short-changed, so the ratio of 31cm=1nFoot was settled on. To me that misses the point of making the conversion easier to do, but it’s what they came up with.
Personally, although I voted remain, it’s this sort of nonsense that sometimes makes me understand why so many voted to leave.
On the downside however, the sound is much brighter, perhaps a little brittle at the top end. I am guessing this is down to the window now being a more reflective component overall but I have plantation shutters coming and this should hopefully address some of that.
Quite possibly but unfortunately that decision Has already been made.Lovely system and lovely room. Like the green. Might need curtains rather than shutters to dampen those reflections...
Yeah try a thick blanket to see how it affects the sound, heavy curtains might improve things. Nice system, I’d have ditched the desk and put the system how you have it. If you have visitors just bring seats/cushions/bean bags in, compromise the space as little as possible, not like it’s a high street midi system!Lovely system and lovely room. Like the green. Might need curtains rather than shutters to dampen those reflections...
Could you provide a source for that twaddle please?As I don’t think you got an answer on this, I’ll just chip in. As you may know one old foot was 30.48 centimetres. This caused a lot of difficulty as it isn’t easy to do exact conversions in your head. As part of Brexit we are returning to feet and inches, but the EU insisted that the ratio to cm be simpler. They suggested 30cm=1nFoot (the new Foot is to use the nFoot nomenclature to avoid confusion). However, it was considered risky making an nFoot shorter than the old foot, as folk might feel they were being short-changed, so the ratio of 31cm=1nFoot was settled on. To me that misses the point of making the conversion easier to do, but it’s what they came up with.
Personally, although I voted remain, it’s this sort of nonsense that sometimes makes me understand why so many voted to leave.
Could you expand on the 'experimentation' you undertook to get your system singing Mr Deaf?
Stunning plinth - is it a commercial product?
Jim
So the amps are by Silvercore and are their (or more acurately 'his', since Silvercore is one chap called Christoph Kraus), 833c MKII monoblocs. They use an 833c tube for the output stage, which is the same tube made famous by Wavac in their considerably more expensive SET amps. The Silvercores use handwound silver wired transformers and generate 20 watts of loveliness. Interestingly, though they are a pure SET design, they use an XLR connection. I've been told this splits the signal into two and then those two signals are put through a differential transformer to cancel any noise coming from the input stage. The green hamertone finish is custom specced by me.