More the former than the latter. As the term is widely if somewhat wrongly used, what must necessarily be the subjective analysis of very limited data is when combined with unfounded assumptions about technology declared the "objective" path (to audibly middling results) while the objective (and widely patterned, cross-correlated, and technically-informed) analysis, that being what ears and hearing and audio are for, interestingly, is despite its frequently superior results, somehow inferior to it.I’m struggling with this. What exactly is an “objective denialist”? Is it an objectivist that denies the opinions of those who take a more subjective approach, or is it a subjectivist who denies the objective approach?
That would be your best recourse.Ignore
Dipoles have different requirements as do omnis.Realistically there are only 2 ‘schools‘ that diverge from that. Audio Note and big Klipsch. For 90% of boxes it’s the same.
More the former than the latter. As the term is widely if somewhat wrongly used, what must necessarily be the subjective analysis of very limited data is when combined with unfounded assumptions about technology declared the "objective" path (to audibly middling results) while the objective (and widely patterned, cross-correlated, and technically-informed) analysis, that being what ears and hearing and audio are for, interestingly, is despite its frequently superior results, somehow inferior to it.
Therefore the Objective path has inadequate guardrails preventing it making assertions not in real use evidence, while the Subjective path is evidently quite capable of such excellence.
For it to stand objectivist denialism is the natural rhetorical and philosophical outcome of this conundrum.
The fallacy that you're clearing engaging in, is the belief that your hearing and perception is actually capable of determining the accuracy of a system. You clearly appear to be of the belief that if your ears/brain tell you "it sounds right" the system must therefore be "accurate". As I stated, the objective accuracy of a replay system (and sorry to burst your delusion but such a thing is absolutely and empirically verifyable totally independently of your belief system or perception), is nothing to do with what an individual will prefer. I really struggle to understand why people feel so threatened by such statements. The summer season of the year are objectively defined as being the warmer/hotter days of the year, usually with the longest hours of daylight etc, yet you don't hear people who prefer winter months contesting that fact. So why is it that people who are firm in the belief that they prefer the way their system sounds to all others are so offended if it's pointed out that their system is less accurate than other systems? Particularly when the person pointing it out is doing so in a totally neutral topic and not calling them a fool or any other such slurs for doing so?LOL. This is a classic example of denial, in this case, rhetorical instead of technical.
Our kindly interlocutor will, having randomly jumped someone in a public conversation, avoid the clear implications of his own fallacies, in his case about sound versus technological classes. Aside from my not owning him a reply, he got one, and now that what he thought was his position re: sound vs tech has dissolved, any doubting it hereby word salad, the standard midwit avoidance tactic. At least we were spared the mom's basement insults.
Meanwhile there still isn't a correlation between what they think they're on about and proper musical replay. There's just a lot of dust in the air.
Having read this thread, probably burning them.Anyway, sod all that. What's OP doing with his ATC's?
With the front baffles about 1.2m from the front wall and about 2.2m apart, toed-in to fire over my shoulders.How are they positioned OP?
The cabinets burned well and the drive units are stuffed into the parcel shelf of my car, with an 80w Clarion amp and a Pye bass tube from Argos in the bootHaving read this thread, probably burning them.
It must be AI? 'Pretentious hi-fi critic, probably only listens to classical & reads Shakespeare'Are you practicing for “Just a Minute”?
PS repetition of “objective “
PPS it helps is it’s funny
I’m going to be brutally honest,if you’re first impression was that you don’t like them,stick with it,sell and move on,just because they’re a forum fave doesn’t mean you have to like them.With the front baffles about 1.2m from the front wall and about 2.2m apart, toed-in to fire over my shoulders.
I'm not aware of a perception-is-moot fallacy but for what it's worth, I'm also not aware that accuracy has ever been the outcome of any of a million combinations of kit. Because obviously it hasn't been. At the same time, humans have been tinkering for effect since humans began. You may want to reformulate what you think you're on about there too.The fallacy that you're clearing engaging in, is the belief that your hearing and perception is actually capable of determining the accuracy of a system.
Again; nope. Kindly don't project because it's too much of a tell that we are dealing with the sort of gatekeeping audiophile I've been alluding to for a few pages. I'm also not sure what an "ears/brain" reduction is but just like you pepper your steak, I modify and listen to my system. I believe that's still allowed. So far.You clearly appear to be of the belief that if your ears/brain tell you "it sounds right" the system must therefore be "accurate".
Given that no system conceived by man has ever once reproduced the live sound, wrong. But we'll stipulate that you're some form of absolutist whose yardsticks believe they have so there it is.As I stated, the objective accuracy of a replay system (and sorry to burst your delusion but such a thing is absolutely and empirically verifyable totally independently of your belief system or perception), is nothing to do with what an individual will prefer.
You misspelled curious. Curious that one can actually put that forward and believe it.I really struggle to understand why people feel so threatened by such statements.
Because that "pointing out" is painfully obvious bollocks, technically, philosophically, rhetorically, perceptively. You haven't these magic yardsticks. They do not exist.The summer season of the year are objectively defined as being the warmer/hotter days of the year, usually with the longest hours of daylight etc, yet you don't hear people who prefer winter months contesting that fact. So why is it that people who are firm in the belief that they prefer the way their system sounds to all others are so offended if it's pointed out that their system is less accurate than other systems?
We shall stipulate that you very much enjoy your style. Fallacies and all.Particularly when the person pointing it out is doing so in a totally neutral topic and not calling them a fool or any other such slurs for doing so?
And again.By the way, your use of "flowery" prose in your replies is failing completely to pursuade me that you're somehow highly intelligent and so I am somehow clearly a fool. We're discussing audio systems not putting on a performance of Shakespear or Chaucer.
As far as I’m concerned, everything other than this is about personal preference.As the last hand in the tiller in production I guess it's the mastering engineer's experience that were trying to match, but we have no way of knowing what that was so we have to settle for accurate to the signal on the recorded media as distributed.
Agree. I wrote a long post about this subject, read it back, and nearly fell asleep, so deleted it.I get grumpy when people suggest/assert/insist that objectively more accurate simply must equate to “better”.
I don’t get too worried about accuracy per se as what I’m after is a realistic illusion of the original performance, or a similar one which I have in my memory. What the recording engineer heard in his studio with monitors, very different to the speakers I use to enjoy music, is largely irrelevant to me.Accuracy in audio, is a misnomer. Accurate to what, a live performance in a specific location experienced from a specific seat in the venue? Accurate to what's heard in the studio through via the speakers on the mixing desk? From the seat at the control desk in the mastering studio?
As the last hand in the tiller in production I guess it's the mastering engineer's experience that were trying to match, but we have no way of knowing what that was so we have to settle for accurate to the signal on the recorded media as distributed.
Now there's a myriad of metrics for measuring that accurately, none of which the ear is capable of doing. All the listener can say is whether they like/prefer the outcome.
Ears aren't a measuring device, and any claim otherwise is just hyperbole. The statement "this sounds more accurate to me" is utterly meaningless.