John:
Sorry I haven't sent some feedback earlier, but I've been a bit pre-occupied with having solar panels fitted to the roof, and also with how best to integrate a DSPeaker Antimode Dual Core into my system.
I've done a lot of listening and my reactions are:
1) The overall sound quality is definitely more refined. It is much better at opera recordings than the original MDAC - opera singers sound much better when going at full tilt; originally they seemed somewhat distorted at times and had a rather unpleasant sound (maybe the improvements to the output stage you mentioned have helped here). Pianos now sound less tinny and digital, and are more rounded. Violins too seem more natural.
2) On my system (Quad Elite, Quad ESL 2805) there was an obvious improvement when I bypassed the pre-amp and connected the MDAC directly to the Quad monos. I shall definitely keep it like that.
3) The sound stage is, as advertised, much improved with a good 3D feel to it on the better recordings. Instruments are more clearly located.
4) There has been much comment in the forum about the bass, and I'm not sure I've quite understood what people are saying here. Sure the bass is 'cleaner' and better defined - but then so is everything else.
5) In my view A.10 has better sound than v0.9 and since it has better facilities I won't be going back. XD and Minimum Phase are the two filters that sound best to me, with XD probably being my overall preference.
You might be interested to know that I took the MDAC, and the Metrum Octave that I bought to keep me going while I waited for the upgrade, round to a friend's house and three of us were able to make a comparison between his dCS Elgar, and my Metrum Octave, and MDAC Premium Fusion. His system has ML Summits, Conrad Johnson GAT pre-amp, and Conrad Johnson power amp.
Overall we were surprised how little difference there was between them on some recordings. With small-scale recordings of, say, a single instrument or a small chamber group it was almost impossible to tell any difference. The test was set up such that one of us could switch between the three DACs without interrupting the music and without the others knowing which DAC was playing at any given time.
Recordings made a difference, however (i.e. we didn't subscribe to the view that all DACs always sounded the same). Some recordings did bring out subtle differences. On the whole there was least difference with recordings of solo instruments and small ensembles and more difference between the DACs with more complex, large-scale, orchestral pieces. Overall the dCS had a slightly 'softer' presentation, and seemed more 'laid-back'. The dCS and the MDAC had slightly more precision and definition than the Metrum. Overall I thought the MDAC was more engaging, more involving, than the dCS which was very slightly more 'laid-back'. Given the price difference, I'm obviously very pleased with the MDAC Premium Fusion.
Thanks indeed John.
- Richard.