Here are the three CDs I have to hand (the silver-face is in the shop). The ‘black face’ is unquestionably ‘the one’, almost certainly the quietest CD I own, the level really is feeble, but it sounds how it should to my ears, very like original UK vinyl. The ‘TO’ black-triangle and UK silver-face are identical. Exactly the same mastering, which isn’t bad, but it does have a spike in the treble which doesn’t sit well with me.
I don’t know that one at all. World market Floyd confuses the hell out of me, e.g. why are the first issue Japanese DSOTM and Meddle (also available as a black triangle) on EMI/Harvest, but WYWH CBS/Sony? I think the same is true in the USA too, though the EMI stuff is Capitol there. I know the ultra-collectable WYWH is a CBS with only two tracks, but I can’t remember much more than that. The Japan for UK black-face (label looks the same as the DSOTM in my pic and has a black cover pic like the sticker on the shrink of original vinyl) sounds superb. Again exactly right to these ears, so I’m done there.
As for ASFOS I’ve got ‘70s ‘two-box EMI’ UK Columbia vinyl and the UK silver-face CD. I don’t think I’ve even played the CD, I just filed it away when I found it for a quid or two as I’m trying to get a good early set of CDs. Is the Japanese CD you refer to mono or stereo?
PS I’ve just stuck the ‘black face’ up against my A10/B9 (correction from upthread) UK vinyl. I am now convinced this CD is taken from the vinyl cutting master, they sound unbelievably close. So close I don’t think I’d be able to tell them apart blind. May well be the closest vinyl vs. CD comparison I’ve ever heard.