Thanks, I found some shop in Denmark that has it listed on CD (link), so I've ordered it there, though I suspect it will prove out of stock / unavailable. I don't pay for downloads on principle, so if I can't buy it properly as a hard copy I'll just wait until I can.
Tony.
Tony, I'm curious what are the principles on which you don't pay for downloads?
Youre paying a premium for WAV due to the larger file transfer, bandwidth and file serving being their principle costs, though whether double is reasonable.Tony, I'm curious what are the principles on which you don't pay for downloads? They aren't my preference either - I certainly resent being asked to pay a 'wav supplement' for what should be standard but is presented as some kind of luxury (in the case of Beatport). At the same time, obviously a lot of small labels and artists only release music as download, so if there is a principle on which there is something ethically wrong with downloads, then does that mean that these people's income streams are also then somehow wrong?
I'm imagining you probably just prefer a physical product, as do I, but with your reference to principle, I'm curious if you have some insight into the download market that I am unaware of?
It is becoming increasingly annoying. I don't get too trainspotterish about it really, but here and there are labels or artists where I find it very hard to forget about.I'm really going off collecting techno / house / dubstep vinyl. Everything seems to be in daft 4 copies for the world type runs, so if you don't buy it then and there you'll never get a copy. I don't have the spare cash to be grabbing arm-fulls of 12s at around ten bucks a go, and I have other music habits to feed other than dance music. There seems to be a certain degree of up it's arse-ness about it all.