Arkless Electronics
Trade: Amp design and repairs.
I always think of el cheapo Eagle and Teleton type makes of late 60's early 70's when I see a Leben
Yes this looks about "normal" to me. Average of 75-80, peaks of 95-100 and a level one can listen to all day without hearing damage or fatigue. Standard cinema levels are a smidgen higher and are published which can help when designing. If Joe and his meter are to be believed he is listening at 25-30 dB below these levels...For me there's a definite sweet-spot listening level at which things sound tonally balanced and dynamic range and detail can be fully appreciated. In my case this is around 75dB average with peaks into the low 90dB's. I used to listen louder than this
This looks the definition of not having a hi-fi! When a system starts to clip it sounds louder than a non-clipping system. Winding it up a bit more and it becomes strident because the clipping is generating high frequencies. Wind it up a bit more and the tweeters melt. Include +/- 20 dB low frequency room boom to the mix and whatever we have got it is not high fidelity in any technically recognisable sense.What's this obsession with listening at ear splitting levels? For me there's a definite line where music becomes strident and painful regardless of the system playing it, all the subtleties of quality playback are lost in a sea of noise, which is fine if that's what you want but you don't need a hi-fi to achieve that.
This looks the definition of not having a hi-fi! When a system starts to clip it sounds louder than a non-clipping system. Winding it up a bit more and it becomes strident because the clipping is generating high frequencies. Wind it up a bit more and the tweeters melt. Include +/- 20 dB low frequency room boom to the mix and whatever we have got it is not high fidelity in any technically recognisable sense.
Why would I think you were lying? I suspected your meter was not registering peaks but averages over a short period and having just dug an old sound level meter out of a cupboard and had a quick play that is what it appeared to do. Perhaps your meter is different but it is likely you were listening at an average of 60+dB which is still quiet but not background music quiet. (You could of course have simply said you listened louder than background music). My mother used to have music on at this sort of level but, like many, she had zero interest in high fidelity. It is the combination of an interest in high fidelity and quiet listening levels that seems odd.h.g.,
If you think I’m lying just say so, instead of this weaselly “if Joe and his meter are to be believed” BS.
Joe
Most live music is listened to at well above 80 dB average. Most recorded music is monitored and processed around these levels. Cinema levels are a bit higher. Etc... Is everybody hearing noise? 80 dB average is roughly the standard level for careful/critical/detailed listening to not just music.You missed the part where I mentioned it's not system dependant but volume, I can't listen to any system past a certain level because it's just noise, if I want to listen like that I can do it in the work van through the radio. No hi-fi required.
What generalisations? Not stating assumptions when trying to do the numbers can lead to people holding different assumptions. I am interested in doing the numbers in order to reason in rational manner about something that seems interesting.Why make so many assumptions and generalisation?
Yes, that is right, you cannot do otherwise when somebody shouting at you angry.Etc... Is everybody hearing noise? 80 dB average is roughly the standard level for careful/critical/detailed listening to not just music.
h.g.,
It was the “if Joe and his meter are to be believed” that suggested I was lying. If you’re questioning only the accuracy of my meter why assume I’m being untruthful?
I listen at different levels but typically at the figure I quoted because my hearing is good and I’d like for it to remain that way.
Joe
Far from clear...but it sounds better on most material.So if the low distortion tube buffer is providing low distortion, then what is it doing to the signal to improve it?
The answer to the dilemma is to use very high powered SS amplifiers with low distortion tube buffers. I use 4 large Emotiva monoblocks with Marantz 7 clone buffers. This configuration both measures and sounds superb.