Arkless Electronics
Trade: Amp design and repairs.
Here is an appraisal by the latest person to go the Arkless way.... cut and pasted verbatim from email:
"Hi Jez
I picked it up this morning and have just plugged in and set it all up. On about my second album from cold, I also played it back to back with a standard CA 651.
The first ting that i've noticed is the degree of separation in the music - with a New Order track much more clarity in the higher frequencies and a better depth in the bass. Moving on from this to a bit of original dub plate Augustus Pablo (where the quality of the recording is rougher) I found a wider soundstage and less "blur" (if that's a technical term) between the instruments - much better clarity and less hurried. Treble is vastly improved - without any tinniness, but without compromising the midrange or bass. Brass sounds fruity as anything and really rips - even at lowish volume.
This is a vastly improved phono amp. Much improved volume output - not that I really need it (but more usable at lower listening levels).
To be honest - I don't have a great deal of experience with other phono stages, but did have a Linn Sondeck and quad 33/303 set up in the 80's. Currently I run a Project Xperience with Ortofon Rondo Red going thorough a Naim Uniti 2 and then B&W PM1s - small but perfectly formed. Chosen mainly due to the size of the room.
Your modifications have transformed what was already a good sound. I say this without any proper running in - so things can only get better.
Many thanks Jez - if you want to use me as a testimonial - feel free. I'm not an all out audiophile, and don't spend too much time analysing specifications - I prefer to spend the time listening to my music.
Best wishes and Happy New Year,
Mike"
"Hi Jez
I picked it up this morning and have just plugged in and set it all up. On about my second album from cold, I also played it back to back with a standard CA 651.
The first ting that i've noticed is the degree of separation in the music - with a New Order track much more clarity in the higher frequencies and a better depth in the bass. Moving on from this to a bit of original dub plate Augustus Pablo (where the quality of the recording is rougher) I found a wider soundstage and less "blur" (if that's a technical term) between the instruments - much better clarity and less hurried. Treble is vastly improved - without any tinniness, but without compromising the midrange or bass. Brass sounds fruity as anything and really rips - even at lowish volume.
This is a vastly improved phono amp. Much improved volume output - not that I really need it (but more usable at lower listening levels).
To be honest - I don't have a great deal of experience with other phono stages, but did have a Linn Sondeck and quad 33/303 set up in the 80's. Currently I run a Project Xperience with Ortofon Rondo Red going thorough a Naim Uniti 2 and then B&W PM1s - small but perfectly formed. Chosen mainly due to the size of the room.
Your modifications have transformed what was already a good sound. I say this without any proper running in - so things can only get better.
Many thanks Jez - if you want to use me as a testimonial - feel free. I'm not an all out audiophile, and don't spend too much time analysing specifications - I prefer to spend the time listening to my music.
Best wishes and Happy New Year,
Mike"