Thanks, I had only heard Anina's before which walked all over my Opera Superpavarotti's in terms of insight and resolution, take for granted that the scale of sound was incomparable. I could not afford them at the time though.
The Amaya's are bigger brothers weighing in at 37kg each, it was no fun carrying them! but as spiked floorstanders, they were at least manageable and you can move them around to tune them.
To sit in front of them you expect to be blown through the window and some yards beyond but very deceptive. Much smoother and more relaxing than any speaker I have previously owned or borrowed through the years but it is the sheer insight from top to bottom that continues to amaze. The first thing I learned playing Tchaikowsky Piano Concerto no.1 (Martha Argerich on DG Tulip) was that my poor old Rohmann had gone in the treble so I switched to Van Morrison Into the Mystic to be kind. Same conclusion. I checked the Rohmann and cleaned it with my Goldring Ultra-sonic to find the problem solved. I have always kept the stylus clean but this was an education.
I then thought I needed to turn the volume up only to find the dynamics come in when they are supposed to. Incredibly revealing of all that is upstream and they love the class A single-ended valves of the S6 which is thankfully powerful enough to drive them as they are 91db at 8ohms. And of course being Indian and little known £850 was 1/4 of their price new 4 years ago. The popular brands would be yielding a far higher percentage I am sure, irrespective of how they would compete.
I could go on. Yes, I'm really taken with them!