Pleased to see ProAc still a going concern, I feared the death of Stuart Tyler would be the end. What are the electronics they were using? Tyler was always using either vast amounts of Audio Research valves or Sugden Masterclass whenever I saw them at shows, which is a very long time ago now. Always sounded decent though the bigger speakers could struggle and sound overblown in a little hotel room. I've no idea how one would make ProAc sound harsh, that would really take some doing IME. I’ve always really liked their little speakers, especially the 1SC. I’ve owned a couple of pairs of Tablettes of different eras.
They appear to be using a Trilogy 925 amp. Perhaps it was just turned up too loud.How on Earth can the Proac K1 be made to sound harsh, with those ribbon tweeters? When I demoed them they were very, very natural sounding, not even a hint of brightness or roughness. Just goes to show, nothing is certain in this world.
To cap it all most of the exhibitors started packing up around 3:30 Anyhow due to time restraints I did not get around all the rooms
I live in the next village to Staverton where the show is held. I can certainly say that there is loads of great places to eat and get a drink, from the local pub In the village of Staverton to all the other local pubs in near by village's to the main town of daventry just a 2 miles away.
Plus the hotel is clean and tidy and has great facilities from a championship 18 hole golf course, swimming pool, gym etc.
Can't see what's not to like really?
Try the A423 Banbury-Southam next time. Not even too far out of the way...
How on Earth can the Proac K1 be made to sound harsh, with those ribbon tweeters? When I demoed them they were very, very natural sounding, not even a hint of brightness or roughness. Just goes to show, nothing is certain in this world.
How on Earth can the Proac K1 be made to sound harsh, with those ribbon tweeters? When I demoed them they were very, very natural sounding, not even a hint of brightness or roughness. Just goes to show, nothing is certain in this world.
Most of the rooms sounded pretty poor to be honest. The Pro-Ac room sounded OK, as did the Kerr room when I was in there. The Kudos/Naim room showed some promise, as did the Art Audio Room. When you consider what some of this equipment costs, I just don't get why the sound in the rooms isn't more realistic...
The Proac Tablette 10 loudspeakers I tried at home were probably the brightest speakers I’ve heard in a long while unfortunately…..
Yes, I heard it. Had a 15/20 min session late Sunday when they were comparing the Reference to another Rock TT. Unfortunately there was a lot of chat going on with a rather eager "customer". Either way between all the chat it sounded very rich, bold & warm with plenty of drive. Very distinctive type of sound emanating from the speakers. Reminded me of a valve type sound. Can't be sure what equipment was in use. Wasn't really to my liking.Never went. Have some of you heard the Townshend Rock Reference?
S.
Yes, I heard it. Had a 15/20 min session late Sunday when they were comparing the Reference to another Rock TT. Unfortunately there was a lot of chat going on with a rather eager "customer". Either way between all the chat it sounded very rich, bold & warm with plenty of drive. Very distinctive type of sound emanating from the speakers. Reminded me of a valve type sound. Can't be sure what equipment was in use. Wasn't really to my liking.
Show sound ... . Just shows, no pun intended, it is nigh on impossible to get it right. The ProAc room mentioned being one example. Aside from personal preferences, seating is rarely optimal unless you sit somewhere in or close to the 'sweet spot'. Exhibitors often play unfamiliar music, rooms are mostly suboptimal.
Perhaps they should use more room correction software even though that will only address one issue partly and I can see the Triode Purist brigade baulk at the thought.
"For the first time in an awfully long time Townshend Audio took a room to demonstrate their Allegri Reference preamp and Seismic isolation products via Glastonbury Tor loudspeakers and hybrid valve/Class D amplifiers that Max Townshend developed but never put into production."
From UK Audio Show 2022 Pt. 1 | The Ear (the-ear.net)
I missed this room.
hybrid valve/Class D amplifiers that Max Townshend developed but never put into production."