A Thorens 125 or 126 if you re-build or modify the plinth. Or a Lenco 75. In fact almost anything if you modify it.
Yep, I'd agree with that. It's finding a 12" arm that don't cost a fortune that's the biggest challenge. I'd be interested to see some answers.
The Wand. But choosing the deck isn't so simple. A lot of people don't want the potential hassle of very old decks. And fifty years is a long long time....there just don't seem to be modern decks for 12 inch arms at a sensible price. As for arms, The wand springs to mind. Or if you do like older stuff, the classic 3012 11, in good nick, is comfortably under a £1000. And you will never lose a single penny when you resell. So that's as cheap as it ever gets...a long-term cost of nothing (probably a profit if you look after it well.) And a decent arm should be without the sheer hassle that older decks often entail. Less to go wrong. The 3012 sounds rather fine too....I've had one for years. Would never sell it.
If you want to do a modern deck at a reasonable price point then have a look at the Project Audio Xtension 12 Evolution.
The latest version of Pro-Jects in house 12 inch Carbon fibre arm is not bad now that its got the integrated head shell and the beefed up bearing assy.
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Or you could go all out and get the Ortofon 12 inch Arm.
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Personally I dont think the few extra percent reduction in distortion its worth the hassle and the complications the extra arm length brings. You now have a heavier arm so cartridge compliance / cartridge matching becomes a big issue and the extra length also introduces bending modes and resonances that are allot easier to control with a shorter arm. But thats just my experience anyway.
LPSpinner.
Dave,If you want new, then it's Nottingham Analogue for me.
If you want to do a modern deck at a reasonable price point then have a look at the Project Audio Xtension 12 Evolution.
The latest version of Pro-Ject’s in house 12 inch Carbon fibre arm is not bad now that its got the integrated head shell and the beefed up bearing assy.
![]()
Or you could go all out and get the Ortofon 12 inch Arm.
![]()
Personally I don’t think the few extra percent reduction in distortion its worth the hassle and the complications the extra arm length brings. You now have a heavier arm so cartridge compliance / cartridge matching becomes a big issue and the extra length also introduces bending modes and resonances that are allot easier to control with a shorter arm. But thats just my experience anyway.
LPSpinnerYes, these are the negative theories often sceptically trotted out, and there's some truth in these. However, the compliance issue is generally beneficial, as most l.o. moving coils prefer a more massy arm. Bending modes don't exist in a well designed 12" arm, or at worst have negligible influence.
Positives are: They look superb and business-like. They have a more sure-footed presentation with no end-of-side tracking problems. They're easier to cue because the balance is better. They must, also, have a beneficial effect on the stylus profile from a practical as well as a sonic p.o.v.
This aficionado is not for turning now I've got two. Simply wouldn't revert !