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Previously happy LP12 owners who moved on.....

I own a Linn (Cirkus/valhalla/Akito) and a Nottingham Analogue Space deck with space arm. The Notts is streets ahead in every area. Honestly, just miles ahead. I keep getting told to upgrade the Linn. But it's an expensive game and that money could be put towards a Hyperspace....
 
I jumped off the good ship Linn pretty much when the Keel came out since I really couldn't justify the price of the upgrade in terms of either the realisable value of the LP12 it would be going on or the sound quality improvement it brought. At the time my spec was LP12/Cirkus/Ekos II/Lingo II/Troika/DIY Prefix.

Instead I went with a used Michell Orbe/Graham 2.2/Ortofon MC20/Similar DIY prefix.

The Orbe left the LP12 I had for dead and brought more to the party than the Keel upgrade would have done and I paid ridiculously little for it (actually about the same as just the Keel would have cost).

You probably won't get that lucky but the Orbe is certainly worth a look and your Javelin and Dynavector could probably just move across.
The only downside to the Orbe is that it does split record labels due to the way the clamp is implemented which might be an issue if you ever buy valuable records with a view to resale.
The Orbe is still making the grade 20 years later.
This was pretty much exactly my situation & reason for switching from my LP12 to an Orbe which I’m still using to this day some 15 years or so later. I used the Ekos from my LP12 & have a Lyra Kleos.
I‘m a fan of the LP12, a mate of mine has a very nice one & it sounds lovely. But I don’t think a top spec one is really worth the money.
I must admit I’ve never had an issue with the clamp causing damage to record labels but maybe I’ve just been lucky.
A current spec Orbe still sounds superb & gives very little away to other turntables I’ve heard at £15-20k.
I would say that I think most TT’s over £5k that I’ve heard, Michell, Linn, Rega, ProJect etc sound bloomin marvellous & it really comes down to personal taste, brand loyalty, dealer influence, & even looks.
My LP12 owning mate hates the idea of a clamp & doesn’t like turntables to “ look like an oil rig”.
 
I currently use a Rega P9 (RB1000 & Exact) and it’s great, but, I’ve always had a secret hankering for a fluted plinth LP12 of some sort 🤦‍♂️😀.
I disagree that you will lose out. I swapped my RP10 for an LP12/RB3000 and I don't regret it for a second. The addition of a Zeus PSU and lately an Ania Pro cartridge has only further confirmed how fundametally great this record player is.

You could have both? I have two LP12s.
 
The P77 on an Ittock is a huge mistake! Been there, done that. What dealer sold you that? the Linn basic cartridge (AT95) would have been hugely better.
I honestly don’t remember all details that far back and in fairness I’m not sure any of them did. I think I moved the P77 over from the Pink Triangle to keep the costs down. As I came to think about cartridge upgrade my young enthusiastic self wrote a car off, got an insurance payout and instead of another ‘decent’ car I bought a £90 Austin Maxi and a new LP12/Ittok/Troika/LK1/LK2/Isobariks instead!
 
I had an LP 12 for 25 years and did all the mods as they came along. Then tried a Sony DD I got for £100 alongside and thought ‘my God, this is not bad‘ and realised I’d just accepted the LP12 was the best without ever comparing it to anything.

Still, carried on, then the Akiva needed changing (probably not, but I understood duff in two years) So rang the dealer and the regional manager answered ( you could hear the red lining to the suit) Asked what can I replace the Akiva that would cost about a grand with? The fat **** ( I could hear that too!) said the next Linn one at 3K!

In that moment I decided to listen to other turntables, ended up with a WT Amadeus GTa. The thing is they have a very similar sound signature to the LP 12 just a bit more neutral so don’t have that odd and irritating upper bass.

The future is probably a Techy G cos I really have done with the game and just want a really good deck I can forget about and don’t need to dust.

(The 12 I swapped out was lingo 2, Circus, Ekos 2, Akiva on mana ref)
The 1210s do need dusting I'm afraid. Well cleaning, I cleaned mine yesterday and it came up a treat.
 
I own a Linn (Cirkus/valhalla/Akito) and a Nottingham Analogue Space deck with space arm. The Notts is streets ahead in every area. Honestly, just miles ahead. I keep getting told to upgrade the Linn. But it's an expensive game and that money could be put towards a Hyperspace....
I compared a Hyperspace/Hadcock 242se /SME M2-10 with a Voyd Ref/ Helius Cyalene , Gyro SE/ Technoarm (all of which I owned) and the Notts was very much preferable IMHO.
My brother had an Orbe SE / Wheaton Triplanar/ Koetsu Black at the same time and whilst very good I always preferred the NA.
 
I really don't agree with Pig's view on the Aro - it was a fabulous arm on the LP12; replacing the deck's original Ittok, it was a whole world better. I also don't agree that a lot of dissing of the LP12 is necessarily based on poor setup. Mine was maintained by Derek Jenkins.

There are better decks.
Neither do I. Love my ARO and maybe it's just the types of music I listen to but I've yet to hear it sounding “Dull”.

Sorry to learn so many have had bad experiences with their Linn dealers. I bought my old fruit box from Rayleigh Hi-Fi in Chelmsford, before the beginning of history, & they were fine. Since moving to the wilds of East Anglia I've been with Signals, who are really great.

Are there better decks? None that I've heard, but to be fair the only way to find out would be to use something different in my own system, and failing my LP12 spontaneously combusting I've no intention of doing so.
 
In 2002 I sold and LP12, then had the following

Michelle Orbe
SP1210MK5G - Various mods
Michell Gyro SE
and im 2016 back with an Lp12 that's just had its 8th anniversary!

Full circle
@allthingsanalog what made you go back?!

I have a work colleague coming round next week who is quite a Hifi enthusiast. He used to own an LP12 many years ago and now owns a lower end Acoustic Signature (from Elite Audio). He too got fed up with the Linn merry go round but will be interesting to see what he thinks all these years on
 
Can I genuinely thank everyone for their constructive contributions. I was already a bit depressed by my Linn experiences (latest was no reply to an email after 10 days. Yes I could phone but I’m so cynical of the possible answer that I wanted something in writing). You could tell my frustration from the original post!

The attitude of the dealers makes me furious (I’ve used several around the country and the only ones that seemed honest were Billy Vee). ATC are absolutely brilliant - but they don’t make turntables 😀

Getting demos would be my next challenge as I’m in west Wales. At least 2 hours to decent dealers of any sort - but I might see who sells what in the West Midlands and NW and perhaps take my fruit box on a mystery tour.

TBH I like the deck. The dealers absolutely suck and it winds me up.….. I guess there’s no harm having a listen to say an NA , SME or others but I’d have to be careful that I don’t just like the ‘change’. I have to live with it!

Thanks again for your constructive comments. When I saw how many posts had been made last night I was dreading a tirade of anti-Linn and decided to brave the feedback this morning! Better than I’d feared! 😀
 
Neither do I. Love my ARO and maybe it's just the types of music I listen to but I've yet to hear it sounding “Dull”.
Agree re. the ARO, that was where i was headed next from my Ekos until CD took over in my listening preferences. Every time I have heard one on an LP12 I have actually thought it the best deck/arm balance on the Linn, but I guess that comes down to personal preference.
 
Can I genuinely thank everyone for their constructive contributions. I was already a bit depressed by my Linn experiences (latest was no reply to an email after 10 days. Yes I could phone but I’m so cynical of the possible answer that I wanted something in writing). You could tell my frustration from the original post!

The attitude of the dealers makes me furious (I’ve used several around the country and the only ones that seemed honest were Billy Vee). ATC are absolutely brilliant - but they don’t make turntables 😀

Getting demos would be my next challenge as I’m in west Wales. At least 2 hours to decent dealers of any sort - but I might see who sells what in the West Midlands and NW and perhaps take my fruit box on a mystery tour.

TBH I like the deck. The dealers absolutely suck and it winds me up.….. I guess there’s no harm having a listen to say an NA , SME or others but I’d have to be careful that I don’t just like the ‘change’. I have to live with it!

Thanks again for your constructive comments. When I saw how many posts had been made last night I was dreading a tirade of anti-Linn and decided to brave the feedback this morning! Better than I’d feared! 😀
Yes, it's been a refreshing thread from that perspective. FWIW I feel you are relatively happy with your turntable, just not the service that comes with it. Perhaps Mr. Pig is right and learning to set it up and maintain it yourself might be the best option... like he says it's really not that complicated, but the dealers over the decades have not helped with the mythical 'only several decades of tutelage from Ivor himself can bring full enlightenment' mantra. I owned mine for 25 years and it only ever went to the dealers twice, most of the time it just sat there playing records and once every 5 years I'd give it a fettle. They are pretty reliable when set up right ... I do think a lot of the nonsense about them needing constant re-setting etc. is because people haven't set them up right in the first place.

Anyway good luck with your quest.
 
I'd been comparing my (now gone) Well Tempered Amadeus GTA against a new Planar 10 with the same XX2 cartridge. I concluded that there's nothing really of note between the two decks, both very clean sounding. I suspect those that moved to a WT would also like the Rega...
 
It’s a shame you haven’t had great dealer-experience.
What I can say with confidence is The Audiobarn in Essex & Signals Hifi in Ipswich are two great Linn dealers. Not pushy, generous with their time & knowledgeable. There’s a guy at the Audiobarn who specialises in setting up LP12’s & there is no one better.
I know that’s totally the wrong end of the country for you though!
 
I'd been comparing my (now gone) Well Tempered Amadeus GTA against a new Planar 10 with the same XX2 cartridge. I concluded that there's nothing really of note between the two decks, both very clean sounding. I suspect those that moved to a WT would also like the Rega...
My guess is at that price point with decks designed to be neutral they all sound pretty much the same, as they should. The slightly irritating thing is LP12 owners say it sound better rather than saying they like how it sounds.
I fell for that, never compared and was happy that I had the best deck in the whole wide world.
 
My guess is at that price point with decks designed to be neutral they all sound pretty much the same, as they should. The slightly irritating thing is LP12 owners say it sound better rather than saying they like how it sounds.
The arms are completely different though. I wasn't really expecting that to be honest.
 
The arms are completely different though. I wasn't really expecting that to be honest.
I don’t know. Presuming a neutral, get what is in the groove out approach to design. I guess the challenge is to overcome the limitations of bearings, materials, isolation and stuff. The WT arm does that in a cheap and clever way, everybody’s new favourite the Blackbird does the same. I haven’t compared the Blackbird to the Amadeus GTa arm, it aught to be better and probably is. Could I reliably guess which was playing on the same deck with the same cartridge blind? I doubt it.
 
I had an LP12 for 27 years, constantly upgrading it to the latest spec.

When the Keel came along, I decided to stop. I bought the turntable I'd always yearned for - my Trio L-07D - and after a full strip down and service/rebuild, it cost me the same as a Keel. I've now had it for 14 years, and apart from putting a second arm on it (Dynavector 507 Mk2), it's the same beast; unflappable, a majestic control of music and wonderful to look at.

I've nothing against the LP12; it does many things well. It's also a beautiful, timeless piece of industrial design, and I'd have another more basic model as a second t/t in a heartbeat. I just think it got to the point that there were many other turntables who could present music in a way I preferred, and at a sensible price point.
 


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