And the tests you linked to did produce results for audible distortion, which is not entirely surprising in a quickfire A/B switching test.
I can't understand what you mean by this.
http://djcarlst.provide.net/abx_dist.htm is a link for ABXing distortion at 3% and 7%.
Is this not good enough?
The link I showed you also includes ABX Test Data for distinguishing between volume levels of 0.3dB.
The full list on the page I linked to in my previous post (eg of which links to another is
Capacitors, CD Players
DA Converters, Digital Delay
Distortion Filters, First Order
Filters, Fourth Order Interconnects,
Level Difference, Mini-Disc
Polarity Phono Cartridges
Phono PreAmps, Power Amplifiers,
Speakers, Speaker Wires
Tape Decks, Tape Generations,
Video Cables
As an aside I'm sure I've read on here that, scientifically speaking, the results are only statistically significant if they show correlation to the 95th percentile, ie 95% positive, which none of the tests you link to managed to achieve.
No.
what has to be shown is that the probability of the result being achieved by guessing has to be less than 5% in a single tail test. This does not mean getting it right 95% of the time. And every single one of the results I posted does this (where ascribed as being a "different" result ie positive identification) because it is a fundamental principle of ABX testing.
Are you sure you don't want to spend some time reading about this stuff? You might find that many of the things which you claim are not known or not understood are well known and well understood.
I do not mean this in a didactic spirit: I'm a total amateur; I'm interested; I like finding out about it. I would like to learn more, although I suspect that my bank manager would think otherwise.
Nevertheless, my wider point is that there are some effects which are not so susceptible to quickfire A/B switching. My experience is that things like DAC filters, speaker cables, interconnects (and, yes, mains cables), supports, tonearms and similar affect the performance in ways which are most obviously heard in the realms of timing and dynamics. These effects are not slap-you-in-the-face obvious, and tend to lead (in my experience) to longer-term satisfaction. I doubt I'd pick them up in a rapid switching A/B dem of a short snatch of music, but I'm equally sure in my own mind that the differences are not illusory.
An example: last year I borrowed a better tonearm and, for a while, I found myself revisiting my vinyl collection and ignoring my CD player. When I returned the tonearm to its rightful owner and refitted my own, I played two sides of an LP, checked it was really fitted correctly, tried again and then didn't touch the turntable for about three weeks. That wasn't deliberate, I just wasn't drawn to play music on it, in the slightest. I'm equally sure that I wouldn't have been able to pick out the tonearms in a quickfire A/B dem.
Autodiagnosis as to the cause of one's preferences is pretty futile :Le cur a ses raisons que la raison ne connaît point
In any event, you may very well find that you
could tell the difference between the tonearms using a rapid switching test. Without some sort of structured test who knows? ABX testing is quite sensitive. I've ABXed things I didn't think I could. The only reason why it is has acquired a reputation for not begin able to detect things is because there are so many things which people imagine (wrongly) that they can distinguish. That does not mean that they can't distinguish quite sensitively between sounds which have audible differences. It does mean that personal conviction about what does and does not sound different is unreliable.
Does that mean that we have to make consumer choices based on rapid A/B or ABX tests? No.