I have just cleaned & topped up the bearing on my Hydraulic Reference TT with the THICK version of Audio Origami Booster Oil, it took 4 minutes for the bearing + 5 kg platter to drop & settle I used some of the extracted thin oil to lubricate the strobe wheel shaft. I listened to Emerson Lake & Palmer Pictures at an Exhibition I thought I had not lowered the arm, suddenly the announcement came from an inky darkness. On Promenade Greg Lake's voice sounding louder more defined with noticeable resonance the Hammond Organ can be heard in the background, not made just vaguely aware of it.
On other records nothing I had not heard before however background deeper, darker noises/soft,quiet sounds more audible. A mono recording on argo of William Byrd Mass for 5 voices at Kings College Cambridge without setting Croft phono stage to mono layers of voices with natural sound I have been to the venue stunning. Record after record enhanced enjoyment, Porgy & Bess voices sweeter. plucked bass sounds right as do tympani. Rhapsody in Blue Paul Whitman orchestra brass raspier and sweeter at the sane time
The last time I heard close to such an improvement was when Len Gregory chose me as an unwitting Guinea pig for his Musicmaster cartridge after years of use of his Music Makers this is damn near; after various mods like parallel resistance the MusicMaster is the best change ever.
How a thicker oil than the one I have been using for years indeed I changed it earlier in the week due to a supplier problem this oil has wrought such an improvement I am in audio nirvana at the moment.
I have no connection to J7 or Audio Origami Len Gregory aka The Cartridgeman after 20+ years contact is a friend.