Rockmeister
pfm Member
There you go...in another nutshell. One man's meat is another's poison, and ofc, being men, we all think WE are right
If you are trying to achieve a realistic sound in your home you must have a reference, and that reference is live music. Whether it is someone singing in your hall, or playing a piano, or even a child playing a recorder. That is the sort of reproduction you should be trying to achieve in your room. An alternative is to go to a live classical concert, say at Kings Place or Wigmore Hall in London. Listen to a few of these concerts and get your ears adjusted to live music. It can take time but you can train your ears to hear better. Try to buy some good recordings, preferably of the same artist you heard at the concerts, then play these back in your system. If it sounds like what you heard and experienced at the live event then you are on the right track. If not then you know you have work to do...
Pretty obvious I would have thought. Here are a few cars as examples:
Three are great designs...
Oh and by 'eck that ferrari is lovely, but driving it? Very raw by modern standards. Better or worse as a car then?
Pretty obvious I would have thought. Here are a few cars as examples:
Three are great designs...
HAHA - have you ever driven the other one? I have, it's stunning, I'd give up my 380PS Evo X for one if I could afford it! I care about performance, not looks
When I venture into my garage I want to be captivated by beauty, design, class and performance, although the latter is pretty pointless today. I want to see a Liz Hurley, not a Gemma Collins...
Great design is about "fulfils the design brief" and if that brief does not include beauty then an ugly object can be great design. On my workbench in the garage I have a vice that is older than me. It was made by Parkinson of Canal Road, Shipley, Yorks, sometime shortly after the war. It is massively heavy, much abused and nobody would call it beautiful. However it is a perfect tool for the job at hand, perfectly designed for holding things to be worked on, for being durable, for carrying on working even when grossly abused, and with a split nut design making it easy and efficient in use. It fulfils all of this and more. I rescued it from a factory yard where it was quite literally left in a puddle. There is an identical one in a car servicing garage near me, it is used every day. I am confident that unless they are thrown away both will carry on working long after I am dead. That's great design. It's not beauty.I am reasonably confident that I know what design means (I'm an architect), but I was trying to understand what GTAudio meant when he said "I guess there is beauty (in the eye of the beholder) and there is also good/great design..."
I'm replying to tuga's point and your remark drawing a distinction between beauty and good design.I think we established further back in this thread that it was about aesthetic design...