I am exploring inexpensive options to try an FPGA DAC.
Is CHORD Cute EX for ~$500 a good first option?
The Qute EX is no longer current. The big feature of the Chord DACs is Rob Watts WTA filter which is all about taps, and I think the more recent Chord DACs exploit more recent FPGAs and thus can have fancier filtering. So you might find a new or second-hand Mojo or the current Qutest a better place to start for similar money. Actually Mojos have had a decent price drop in the UK at least so one of them could be a good way to go. My experience of Chord DACs is that listening to music through them can be really wonderful.I am exploring inexpensive options to try an FPGA DAC.
Is CHORD Cute EX for ~$500 a good first option?
The Qute EX is no longer current. The big feature of the Chord DACs is Rob Watts WTA filter which is all about taps, and I think the more recent Chord DACs exploit more recent FPGAs and thus can have fancier filtering. So you might find a new or second-hand Mojo or the current Qutest a better place to start for similar money. Actually Mojos have had a decent price drop in the UK at least so one of them could be a good way to go. My experience of Chord DACs is that listening to music through them can be really wonderful.
It allows a designer a flexible approach to all aspects of the design vs just plugging in a branded chip.
Matrix Element X measures even better and is a stunning piece of kit.Tim, you're a bit out of touch, the matrix x sabre beats the Dave for snr+ noise and channel separation for less than a third of the price.
Matrix Element X measures even better and is a stunning piece of kit.
At $399. Mind boggling.And now the SMSL M500, which is the most aesthetically pleasing of the high performance inexpensive DACs IMO:
https://www.audiosciencereview.com/forum/index.php?threads/smsl-m500-dac-and-hp-amp-review.9606/
It allows a designer a flexible approach to all aspects of the design vs just plugging in a branded chip.
It intrigues me that an analoguephile would choose a digital front-end based on its measured performance. Is this how you selected your TT/arm/cart/phonostage?Well I guess the thread went a little OT since most of the DACs mentioned are not FPGA implementations but a mojo at the new price of £299 would seem a possible starting point to see if you like it, or pick up one even cheaper second hand? But since the thread already went OT ... yikes that SMSL M500 seems a lot for not a lot, Sabre based but only £272 delivered? Right up there in the top bracket measurements that are usually an order of magnitude more? Even a record spinning fool like me can see that needs investigation. Anybody actually got one yet? Impressions? Guess I should start a new thread ... sorry @DimitryZ for the noise.
Ah my analogue front end is easily explained, no not chosen by measured performance, it was purchased for me by Naim Audio as a part of building my own system as an employee. In order to build a higher level system of a 72/Hicap/250/SBLs I had to commit to an approved front end. A bargain struck by a Naim sales colleague on my behalf, I got an LP12. Never felt the need to look for a replacement. Tonearm is, of course, an ARO. Phonostage a 72. Neither selected by measurement, both because I could get them as a bargain employee made. Cartridges are harder, sure you can see a frequency response of a cartridge but that is not the whole story, it is the cartridge tonearm combination you really need to see a measurement of, such things are not easy to find. Then there is the fact that some cartirdges, no matter how well they measure, will not fit the ARO or suit it. So I also take into consideration what other LP12 and particularly AROed LP12 users like and talk to a local dealer to get advice and a demo of whatever I can afford and might suit. Today that is a DV-20X2L. So to answer your question in a roundabout way, not really much measurements to compare out there for analgue in the same way as there is for digital that is relevant to my particular assemblage of an analogue front end, but if there were I would look at it. I am also an Electronics Engineer for my sins so of course love a good measurement set. If you look at my thread on the SMSL M500 I am asking for feedback from pfm too. I will not buy solely on measurements, nor on hearsay, if I could get a home trial that would be cool but that is hardly likely in this particular situation. Does that answer your question? I triedIt intrigues me that an analoguephile would choose a digital front-end based on its measured performance. Is this how you selected your TT/arm/cart/phonostage?
As to the OP, I only have experience with Chord's newest upper-end offerings, Hugo TT 2 and M Scaler, both of which I was very impressed by.