Copperjacket
pfm Member
Mike that really looks great.
I do hope you will do a build thread on your frame.
I do hope you will do a build thread on your frame.
I want one before I die, and if I can survive another few weeks I'll die with amp.I'm not familiar with these amps except by repute, particularly threads on pfm, but I wouldn't mind betting that these beautifully restored versions sound better than when they left the factory. I think I want one before I die
Mines the beauty on page 1, Sir. Bit of a stunner to look at (although the Mrs amusingly thinks it looks like a train), but it sounds utterly fantastic.I'm not familiar with these amps except by repute, particularly threads on pfm, but I wouldn't mind betting that these beautifully restored versions sound better than when they left the factory. I think I want one before I die
Looks very nice - I really like the utilitarian form follows function aesthetic of these amps. I wonder what it would sound like compared with my current amps,Mines the beauty on page 1, Sir. Bit of a stunner to look at (although the Mrs amusingly thinks it looks like a train), but it sounds utterly fantastic.
Treat yourself. You will love it.
Most of the came from the factory like that as far as I can tell. Of the six I've restored only one had the tags cut so the resistor has any chance of dropping out.I assume you don't try and preserve the self-desoldering resistor, looks like it's threaded through the tag holes?
Looks very nice - I really like the utilitarian form follows function aesthetic of these amps. I wonder what it would sound like compared with my current amps,
Most of the came from the factory like that as far as I can tell. Of the six I've restored only one had the tags cut so the resistor has any chance of dropping out.
I have a feeling it was done for a short while at the start of the bronze colour as the very early champagne Stereo 20s with the first version output transformers ran the EL84s and early main transformer very hard/hot and I get the impression a lot failed and ended up back at Leak. Hence the circuit redesign and transformer changes. That done they probably didn’t need the fail-resistor anymore. My ‘61 Stereo 20 has the tags cut, my 1950s champagne TL12 Plus don’t, and neither does the ‘65 grey Stereo 20. The heat problems obviously exacerbated by being expected to power a preamp and then likely being dumped in an enclosed cabinet.
It all depends on your speakers, the Leaks are only 10 Watts a channel, albeit a superb sounding 10 Watts. If happy driving whatever the speakers are they perform at a very, very high level IMO. Not what people expect either, they are agile and funky in the old-school flat earth way, they just do natural timbre and soundstage too. Almost certainly the best amps I’ve owned, and I’ve owned things like Naim 135s, currently own a Pass Aleph 3 etc.
Should work really well at any sensible volume. You'll need a passive preamp. I use a Khozmo that is well made and good value but many are available and discussed in various threads - how many inputs do you need?My speakers are HLP3ESRs currently being driven by a Jadis Orchestra integrated, and ROGERS LS3/5As currently being driven by a QUAD 33/303/FM3 combo.
I think the one I need to get done will go to Mike. I'm almost a little disappointed the case and paint are in good nick looking at these.
Or part exchange it with me. Provided there's nothing that would put me off taking your existing one.You could buy the one he's just finished and sell on the one you have. Then you won't even have to wait
Looking at the ones you've already refurbished, you're not put off easily! Amazing work.Or part exchange it with me. Provided there's nothing that would put me off taking your existing one.
It's my father's. He's had it for 50 years and is a bit sentimental about it, otherwise I'd be up for it.Or part exchange it with me. Provided there's nothing that would put me off taking your existing one.