I wasn't really going to look at this thread until I saw who started it.
Many years ago, through constant validation in the Haymarket Press, I believed that Brit-Fi, like Brittania-ruled the waves and all else-including 'Jap-crap' and grotesque 'Am-Fi' were only worthy targets of derision. My end-all system was tri-amped Isobariks which I had heard on several occasions.
And then I attended the very first Manchester Hi-Fi show. Specifically the Absolute Sounds room.
They had a turntable (the Oracle) that was not only not a Linn, but also 4x as expensive. The tonearm (The Arm by Sumiko)was also several multiples cost of the Ittok and did not have that reassuringly thick arm-wand.
The amplifiers were Audio Research, and the pre-amp alone (the SP10-mk2) cost more than some entire Linn-Naim systems. Ditto the power amp (the Audio Research D250 mk2)
The speakers were not Linn, nor Rogers, nor Spendors, nor IMF, nor Quads, but rather some improbable looking panel speakers...the Maggie MG3 I think.
And for the first time EVER...I heard reproduced sound that was not only incredible...it was also credible. It sounded like live music instead of very well reproduced music.
At this point I was running a very early-just released pair of NAP135s. I took in home demo via the Music Room in Manchester an Audio Research D70 mk2 power amp...the very lowest amp in the AR product line, to compare with then pinnacle of the Naim line. The very first track I lined up on my LP12/Ittok/Karma (the Karma had JUST been released) was a random track from RLJ first album. And instead of listening to that single track...I ended up listening to the entire album. The D70mk2 was massively better in all ways than the NAP135s, and my preconcieved biases evaported within minutes, if not sooner.
My expectional biases against Chi-Fi were almost as strong as my anti Jap-crap sentiments were 40+ years ago.
But something inside of me said...'just try it'.
And I did.
Ironically, the stuff that we dismissed as 'Jap Crap' back in the mid to late 70's are now worth 10x of what they sold for then, and handily see of most contempory products, if you are willing to stick with purely 2-channel sound without internal DAC, Bluetooth and subwoofer outputs.
Indeed the preamp I am currently using is a circa 1974 restored and tweaked Pioneer C-21, that cost only a fraction of what my NAC552 did...but is every bit (and possibly even more) enjoyable and faithful to the music.
So what has this got to do with Chi-Fi??
The water is fine...come on in!