Yes, but are we the wagon train or the encircling Indians?
Lou,
Most would give up a dedicated stereo long before giving up the PC, TV and other electronics. This is precisely why audio is in decline, and it has nothing to do with foo or audio magazines.
Joe
Many these days wouldn't even buy a dedicated stereo in the first place...
The rise of PC, TV, smart phones and computer games has of course had a massive effect on hi fi sales, but another huge factor is that dirt cheap equipment of today, whether it's a TV surround system, PC speakers, an MP3 player with phones or docking station, all give a quality of sound that is vastly superior to that made by your average domestic non-specialist-hifi gear of the 60's 70's and 80's, when hifi sold well. Think of the Ferguson mono record player or the cassette based ghetto blaster etc.
For most non audiophiles the cheap generic made in China stuff of today is as good as they require!
Of course, but the decline of dedicated audio ain't because of foo or hi-fi magazines, despite what Lou seems to think.Many these days wouldn't even buy a dedicated stereo in the first place...
Many these days wouldn't even buy a dedicated stereo in the first place...
The rise of PC, TV, smart phones and computer games has of course had a massive effect on hi fi sales, but another huge factor is that dirt cheap equipment of today, whether it's a TV surround system, PC speakers, an MP3 player with phones or docking station, all give a quality of sound that is vastly superior to that made by your average domestic non-specialist-hifi gear of the 60's 70's and 80's, when hifi sold well. Think of the Ferguson mono record player or the cassette based ghetto blaster etc.
For most non audiophiles the cheap generic made in China stuff of today is as good as they require!
Jez,
Of course, but the decline of dedicated audio ain't because of foo or hi-fi magazines, despite what Lou seems to think.
I think Lou's completely muddled correlation with causation. Foo just happened to arise with the decline of audio, but foo isn't the cause of the decline.
Joe
Rob,
I don't think the new blood is aware of foo, let alone that you can buy separate power supplies for the digital section of your preamp.
Joe
Much to my surprise, we do seem to have reached a position where hard-pressed audio journalists feel compelled to act as unofficial PR people for 'the industry.'For me, as a hard-news journalist all my working life (mainly in broadcasting, but I spent ten years on newspapers) that seems an utterly disastrous point to reach.
'Disastrous' because the inevitable result is to leave us 'punters' without proper representation in the audio press.The voices (actually, better described as demands) from the industry, take precedent over the paying public, whose hard-earned cash is the only thing between the audio industry and utter oblivion.
Alan Sircom has been very honest, and given up quite a lot of his time, unpaid.I hope he prospers, and he has risen in my estimation. But, sadly, it doesn't seem to change the basic point. the audio press is just a mouthpiece for commerce.
What profound error.
They soon will be - the moment they read a magazine or join most forums.
Unless very lucky, their first glimpse of a prospective new world is one where trivia rules.
Contrast that to the mags of the 70s where there were sections for 'beginners' and guides which just cut to the chase. Here is some well regarded entry level kit that works fine out of the box and will provide instant and lasting gratification, which it did for many. The TT and amp is fine on the bedside cabinet and the loudspeakers can be connected with bell wire and placed on a convenient shelf.
I think I need to clarify this. I don't see the position as a mouthpiece for the audio industry, as in the people who make things other people buy. I see the role as a mouthpiece for the community. Sometimes the boundaries between who does what precisely get blurred, because many of the people not in the business of making audio equipment are more 'industry' than the industry itself. They know more people in the business than I do, they frequently move in the same circles, etc, etc.
Granted for a magazine, the advertisers effectively keep that situation in play. But my take on this is we (and by 'we', I'm not just describing the magazines, but including the forums in this) are trying to keep our common passion alive, and trying desperately to pass that passion on to others. It's a constant source of frustration to many in the community (whichever side of the fence) to see the ever-increasing gulf between excellent entry-level equipment and those products that can realistically broaden and deepen one's musical interests. While it's great that budget equipment has probably never been better, we need to rekindle the interest in aspiring to bigger and better things, but if those bigger and better things cost 100x as much as the entry-level equipment, that will never happen. However currently, if you build it, they don't come, and the gulf between what's cheap and what's next is widening as a result.
I find this more deeply troubling than £10,000 cables, £20,000 tonearms, £35,000 racks or even £350,000 loudspeakers. These things are rich men's playthings, and if the rich men are playing with audio equipment today, it has little bearing on day-to-day audio enthusiasts. That I write about some of these products is because one aspect of the magazine's niche is in that branch of rich man product interest zone. But having to replace a £1,000 amplifier with a £5,000 amplifier because not enough people buy a £1,000 to warrant its continued existence is really threatening the survival of the audio world as it stands. All of it.
I think I need to clarify this. I don't see the position as a mouthpiece for the audio industry, as in the people who make things other people buy. I see the role as a mouthpiece for the community...............
Apart from Peter Aczel?Alan, please if the audio press was a mouthpiece for the community then they would have at a minimum one individual who is a cable sceptic.
Alan, please if the audio press was a mouthpiece for the community then they would have at a minimum one individual who is a cable sceptic. It appears you have left out all of us on the right part of the bell curve.
You started out pretty good and I thought we were making progress, but no, the audio press has always targeted the low hanging fruit, the kind of person that could be sold magic goods.
From a dark and wintry Alberta
Louballoo
You need headphones, portable devices and other entry level audio (none hifi) stuff in there to welcome them in the door. Show them Bose and they will eventually migrate up to better sound and better user interface/experience (if that exists). You need a high quality Brennan and decent looking and well priced all in one devices to introduce them to the hifi brands.
It's not reviews of 10,000 cables that put joe public off hifi mags, it's the fact that absolutely nothing in there has any relevance to what they do. You need headphones, portable devices and other entry level audio (none hifi) stuff in there to welcome them in the door. Show them Bose and they will eventually migrate up to better sound and better user interface/experience (if that exists). You need a high quality Brennan and decent looking and well priced all in one devices to introduce them to the hifi brands. Despite all their faults at least Naim realise this with products like the UnitiQute.