I'd had some standmounts of varying vintages, notably my bros' Tangent XLRs which I had re-foamed. Returned them, settled for 3-4 years with good headphones. Moved to current place, and having heard (and continue to audition many things) I bought a pair of Impulse H6s because I'd heard very good things of the brand. The slim floorstanders did things that boxes asking 10x the premium just could not, in terms of believability and scale and rhythm and tonality; so immediately decided to find a pair of the biggest Impulse available - took 18months but I landed the right pair of H2s.
Also played with ESl57s around then, from reputation, and because the right serviced pair came along. H2s landed. Enjoyed both.
A couple of years later I sold the 57s (to Jonathan Ribee, who curates them yet) simply for lack of space.
A decade later, I've bought some serviced Quad 989s...just because. They're fab, but the H2s also remain so, in fact - because they both do the controlled-directivity thing - it's really interesting to swap between and find out just how similar they are, once you get over the 10-12dB step in sensitivity. Which really means - it's amazing how transparent the ~25yr old H2, 3-way horn-loaded design can be.*
I am keeping both. Between them, they do everything i want and more.
*one-line summary: H2s do 'they are here' while Big Quads do 'you are there' : otherwise, in terms of bandwidth and lack of colouration when driven with sufficient amplification - remarkably similar.