farfromthesun
pfm Member
Some interesting views contained; pretty grim reading all things considered.
https://thebaffler.com/salvos/the-problem-with-muzak-pelly
https://thebaffler.com/salvos/the-problem-with-muzak-pelly
I think musicians have to accept that the days of personal jets and limousines are over.
I read this recently. I have, but don't use Spotify, and mainly go to Bandcamp to discover new music. I pay for it and download it, never use playlists, and use Qobuz to stream oddities I don't already have.
The idea of playlists over which artists have no control is horrendous.
The idea of playlists over which artists have no control is horrendous.
It's that brands are creating playlists as if they were regular users (and these are being pushed by Spotify). So the question is, how is Starbucks putting a band on its playlist different from Starbucks paying a band to use its song for for an advert? And the answer is, it isn't - except that the band doesn't get a choice in the matter and doesn't get paid. "Automated selling out," the author calls it. Good article.Why is it any different from creating a playlist on your own device, or hopping from one disc to another manually?
Why is it any different from creating a playlist on your own device, or hopping from one disc to another manually?
Why is it any different from creating a playlist on your own device, or hopping from one disc to another manually?
'Nuff said.It's that brands are creating playlists as if they were regular users (and these are being pushed by Spotify). So the question is, how is Starbucks putting a band on its playlist different from Starbucks paying a band to use its song for for an advert? And the answer is, it isn't - except that the band doesn't get a choice in the matter and doesn't get paid. "Automated selling out," the author calls it. Good article.
My music collection is CD (ripped or not), LP, and bought downloads (mainly Bandcamp at the moment, but some jazz or classical from other sources). Qobuz is for fun. So basically I am in agreement with you. (Shock horror! )I have yet to try Tidal, but for my purposes Qobuz and, to a lesser extent, Spotify have too much catalogue missing to make them a true alternative to curating your own music collection.
It's that brands are creating playlists as if they were regular users (and these are being pushed by Spotify). So the question is, how is Starbucks putting a band on its playlist different from Starbucks paying a band to use its song for for an advert? And the answer is, it isn't - except that the band doesn't get a choice in the matter and doesn't get paid. "Automated selling out," the author calls it. Good article.
How would Steeleye Span feel, for instance, about being sandwiched between The Damned and The Dictators on Peel in 1997?
Some interesting views contained; pretty grim reading all things considered.
https://thebaffler.com/salvos/the-problem-with-muzak-pelly
Try telling Ed Sheeran that; his net worth was $65 million at the last count. You're dreaming if you think that there are not loads of people making a whole bunch of money out of the music scene.
I read that, and whole I agree with his conclusions (broadly), his Amazon figures look totally cockeyed. As far as I can see they don't take 50% of the sale price, or anywhere near. A pity, as it weakens his whole argument, and makes one question all his other figures.Here's blog in a rather similar vein, pointing out some consequences of the streaming revolution in general: http://www.skylarkensemble.org/blog