Only in the US. Loads of stuff that came out on Motown over here, came out on Gordy records over there.
Indeed. What we generally call 'Motown' for short first came to my attention as 'Tamla Motown',which was talked about as a 'studio' rather than a label in the early days. But it was always a 'complex' of labels including Tamla, Motown, Gordy, Anna, VIP, Soul and Ric-Tic.. at least..
As I recall quite a few early tunes appeared here 'licensed' on the Stateside (EMI) label, but with the reference to Tamla or whatever somewhere on the label.
By the late 60s we were buying singles on the individual Tamla, Motown and Gordy labels in the UK.
All here:
https://en.wikipedia.org/wiki/Stateside_Records
Anyway. Today's top Five from me:
I never much liked Diana Ross with that screechy voice, but this is a great tune:
Junior Walker almost bridged the gap between the 'polish' of Motown and the rawness of Stax. He'd have been great on either. Terrific DNA in this tune, and I think some of his others, written by Harvey Fuqua of 'Harvey and the Moonglows' 1950s 'Doo Wop' pioneers. Harvey was the nephew of Charlie Fuqua of the Ink Spots from the 1930's/40s. Johnny Bristol also involved.
Possibly lesser known, but a big hit:
And Marvin.. complete with the usual manic TV dancers...