david ellwood
Kirabosi Kognoscente
You’re probably using one of those amazing raspi hat systems that renders all expensive hifi irrelevant.
No, I use my earsYou’re probably using one of those amazing raspi hat systems that renders all expensive hifi irrelevant.
That's what I use for digital. It does (as far as source goes).You’re probably using one of those amazing raspi hat systems that renders all expensive hifi irrelevant.
I don't know how one can really tell this given the difference in mastering, plus the changes inherent to cutting the record etc.My digital source should sound more detailed and better resolve low level information than my record player.
It does neither.
I use two sources. I do have a pi 4 with Screen playing through my Sabre Dac. I do use this when I want a wider range content and flexibility using LMS and Material Skin. It offers all the quality I need and is a very satisfying listen. It doesn’t look like a very expensive streamer but it measures well in comparison and has a better remote and server than most. It is amazing for the price but I can’t say it is better than a multi thousand pound Linn etc. I bet it’s close though as the incremental differences are very small and you can get closer still if you want to use add ins. I also use the internal streamer of my Yammy. The remote is more limited than Material Skin but the sound quality is up there. And it renders excellent detail which is enhanced by the Maggies I use. In have a decent vinyl set up as well and I love both equally. The sources bring different characteristics to the plate but are equally satisfying.You’re probably using one of those amazing raspi hat systems that renders all expensive hifi irrelevant.
Well, no. I listen to a lot of stuff from the 60s and reissues on digital don't meet the standard of contemporary vinyl. I think this is a combination of unavailability or deterioration of the original 1/4" master. There are also examples of poor interpretation of EQ when mastering to digital but not so much now.Exactly my point, the record should be on the back foot every step of the way.
I remember the early '70s. For a record deck all that was important was correct speed, rumble, wow and flutter. Arms had to be as light as possible and cartridges have high trackabiity. I stopped listening to my 401, SME3009 and Shure V15 III, it was boring. Cue Linn LP12 which was much more dynamic.
I remember that cleaning the dust off of records was not recommended, the heavier arms and MC cartridges cleaned the records. Certainly with the LP12 and Ittok clicks were almost banished.
And how many people changed from an LP12 to a 401 because it was more dynamic as suggested by a quick google?
Have you got a link to advice of this kind from a manufacturer such as Linn? I am not disputing it was given but more curious to find out and document just how far things went after I dropped an interest in home audio.
Precisely. I'm still wondering what digital haze might be. Perhaps it's a poor quality source and/or low bitrates.So a PFM member creates a thread on Saturday with a mildly controversial and ambiguous question. It generates 3 pages of responses (some thoughtful) from other members. Meanwhile the OP never returns to clarify his statement or reply to any of the responses. Is this trolling?
They do seem to have run for it!So a PFM member creates a thread on Saturday with a mildly controversial and ambiguous question. It generates 3 pages of responses (some thoughtful) from other members. Meanwhile the OP never returns to clarify his statement or reply to any of the responses. Is this trolling?
I clearly remember my Linn dealer (Cleartone in Bolton) recommending leaving a dirty looking record that way and letting the stylus dig the dust out of the groove. Subsequently the stylus would be cleaned (with green abrasive paper, naturally). The carbon fibre-type record cleaners or cloths were shunned because they were thought to merely press the dirt further into the groove.The don't clean the record thing was part of the flat earth folklore. I don't think it was a Linn recommendation but it was of that era. I used a diskmask system, pouring goo over the LP, waiting for it to dry then peeling it off. This cleaned the muck out of the groove even with brand new LPs. Any later dust on the record was ignored, not willing to grind it in.
These days I use a exstatic brush on my records.
Deliberately provocative I thought, as well as dim.So a PFM member creates a thread on Saturday with a mildly controversial and ambiguous question. It generates 3 pages of responses (some thoughtful) from other members. Meanwhile the OP never returns to clarify his statement or reply to any of the responses. Is this trolling?
So a PFM member creates a thread on Saturday with a mildly controversial and ambiguous question. It generates 3 pages of responses (some thoughtful) from other members. Meanwhile the OP never returns to clarify his statement or reply to any of the responses. Is this trolling?
Possibly but he had also received an almost wholly negative response until last night. If he was wanting to have a chat about the unpleasantness of digital with like-minded folk rather than arguing the toss with unbelievers then what was there to reply to?
Exactly that I think. Drop the grenade and run.So you didn't detect any hyperbole in the post then? A dentist's drill? I can't imagine a modern digital source that would be that bad. The wording of the OP seems (to me) like it was intended to get a rise out of those who enjoy digital sources.