'Giant Step' by Taj Mahal. Every now and then I give this another go, and every time I give up on it after a few tracks. It has one great original song ('Six Days On The Road'), one passable cover ('Stagger Lee') and a whole load of meh.
Look I like Chirpy Chirpy Cheep Cheep by Middle of the road
Nobody should have a perfect album rack. I love experimenting. I quite liked Alan Price (greatest) for a couple of cheesy plays but have just realised its crap
Bruce Springsteen..... Crap...Abba....Crap.... Dire Straits....Crap...ELO.... Mostly Crap......Blondie....Mostly Crap....Alan Parsons Project...Total Crap.. Judie Tzuke... CRAP!..who have I upset now
Oh bad compilations on vinyl with "something for everyone"....crap! Pointless sitting through the dross waiting for the best tracks
Ive just had a good vinyl clear out
I don't listen to crap because I do not buy it in the first place - why would you?
I think this is the heart of the matter, certainly in my vinyl collection. It mostly dates from a time when there was no Spotify et al., so your only taster of what was on the album were the singles played on the radio. On quite a few of my albums it seems the singles were self-selecting!Well, you might buy something you like the sound of on the radio or (these days) Spotify, only to find after a few listens that it's not that good. Or, a frequent mistake of mine, buy an album on the strength of a great track, only to find it's the only good track on the album. Or, you might buy the follow-up to a great debut album, only to find the band/artist said everything they had worth saying on that debut album. Or, you might just have outgrown whatever youthful taste you had and now find the music naff or twee or banal.
'The person who never made a mistake never made anything', as the saying goes, though personally I've managed to combine making loads of mistakes with not making anything else.
I've never gotten along with Bruce Springsteen... not musically interesting enough for my tastes. I just setup my turntable, though, and have a few of his LPs. Upon spinning them all, I'll admit that I'm liking the flip side of Asbury Park. The rest of it still doesn't pass muster.
Well, you might buy something you like the sound of on the radio or (these days) Spotify, only to find after a few listens that it's not that good. Or, a frequent mistake of mine, buy an album on the strength of a great track, only to find it's the only good track on the album. Or, you might buy the follow-up to a great debut album, only to find the band/artist said everything they had worth saying on that debut album. Or, you might just have outgrown whatever youthful taste you had and now find the music naff or twee or banal.
'The person who never made a mistake never made anything', as the saying goes, though personally I've managed to combine making loads of mistakes with not making anything else.
The other category is the 'return to form' trap. A favoured artist/band, after a run of great albums, releases a stinker. Then another. Then another. You give up on them, until a favourable review, by a reviewer you trust, pronounces their latest 'a return to form', tempting you to buy it. You give in and buy it, only to find that, yes, it's another stinker.
'Giant Step' by Taj Mahal. Every now and then I give this another go, and every time I give up on it after a few tracks. It has one great original song ('Six Days On The Road'), one passable cover ('Stagger Lee') and a whole load of meh.
I have a cheapo compilation with similar stuff on it. 'Statesboro Blues' will always be a favourite, as it is sort of the ultimate and tightest expression of that whole 'slide thang', Six Days is OK.. much of the rest is tedious.