Sue Pertwee-Tyr
Accuphase all the way down
I have a Rega RB300 tonearm, which I 'upgraded' my early 1980s vintage Planar 3 TT with about 20-odd years ago. I sold the Acos Lustre arm it came with.
I've just decided to send it to Audio Origami for a rewire and general fettling (shouldn't need much, the bearings seem in good shape and it's not seen overmuch hard use over the years). My question to the learned assembly here is, where does a rewired RB300 sit in the general scheme of things? I'm expecting it to be a fair bit better than the ProJect Carbon, which in my experience can be lively and fun, but is also a bit crude and lacking in any real authority. But obviously it's going to be a hell of a lot below the performance of either of Johnnie's own tonearms (both of which I like, a lot, but can't yet stretch to). So, are there any other contemporary tonearms whose performance a rewired RB300 stacks up against? If so, what sort of price point?
Turntable will probably be an Avid Diva II, with an Ortofon 2M Black. Amps are Albarry, using the onboard MM phono stage, into Russell K Red 150s.
I've just decided to send it to Audio Origami for a rewire and general fettling (shouldn't need much, the bearings seem in good shape and it's not seen overmuch hard use over the years). My question to the learned assembly here is, where does a rewired RB300 sit in the general scheme of things? I'm expecting it to be a fair bit better than the ProJect Carbon, which in my experience can be lively and fun, but is also a bit crude and lacking in any real authority. But obviously it's going to be a hell of a lot below the performance of either of Johnnie's own tonearms (both of which I like, a lot, but can't yet stretch to). So, are there any other contemporary tonearms whose performance a rewired RB300 stacks up against? If so, what sort of price point?
Turntable will probably be an Avid Diva II, with an Ortofon 2M Black. Amps are Albarry, using the onboard MM phono stage, into Russell K Red 150s.