What are they doing?
Effectively controlling channel separation and thus a soundstage for example
What are they doing?
370 ohms via balanced according to ASR.The output impedance of the Topping D70 Pro Sabre DAC is listed at 100 ohms. I couldn't find a figure for the SMSL SU-10.
That is their reputation but not my experience. They have scale, dynamics, tuneful bass and a fast pace. Plenty of toe tapping going on.Perhaps the brutal honesty of the ATCs isn't the ideal compliment to the rest of your system, as I remember R50 s were rather soft and slow(ish) with a rather nice breathy low bass....?
Just how does a preamp control channel separation when the source outputs separate left and right channels already? It can't separate them any further.Effectively controlling channel separation and thus a soundstage for example
I’ve heard some great systems which go straight from DAC to active ATCs. The point I was trying to make is that our enquirer has changed his speakers-and-amps (unavoidable if going active) which is a big enough change in itself, and at the same time omitted a pre…. So it’s really hard to work out what might be the weak point in the chain. Reinstalling the pre, even temporarily, might have helped to narrow down the cause of the issue.I don’t have a preamp and my system sounds great but then I expect my DAC is also much better as is the way it implements vol control. It’s an overpriced European model though.
Can I just say I very much doubt a modern thousand pound DAC is causing a problem here. It’s going to be 9/10ths of perfect.
I left out 'forgiving'.Owned a pair donkeys ago and liked them but wouldn't call them analytical. We are all guessing.That is their reputation but not my experience. They have scale, dynamics, tuneful bass and a fast pace. Plenty of toe tapping going on.
Just how does a preamp control channel separation when the source outputs separate left and right channels already? It can't separate them any further.
There was buzzing inteference that must have been due to the adaptation from unbalanced to balanced.
What on earth does that mean? These are hifi nonsense terms. Have you ever sat within ten metres of a Steinway, or a string quartet, or an orchestra, or a rock band, or a jazz group and heard “air” or “sound staging”?. Real music, real musicians, sound solid, real, enormous, they make your soul shake, they arouse you, they make you feel more. You don’t buy ATCs for “air”, you buy them for musical credibility, for a visceral connectedness to the music that transports you. If you don’t feel that, sell them, they are wasted on you. Buy some stupid hifi rubbish, spend lots of money on cables, and listen to “air”.There is some more detail and air and sound staging,
Fair question but the buzzing was low level enough that any dramatic change in sound quality would have been heard.Why to judge sound quality then?
The Qutest has a SMPS wall wart while the other two have their own internal power supplies.Btw, what is a power supply of a source? I hope it’s not a standard out of the box smps?
The Qutest has a SMPS wall wart while the other two have their own internal power supplies.