OK, here is a starter dealing with what I'm doing:
http://www.audiomisc.co.uk/MQA/investigated/MostlyQuiteHarmless.html
Note that it is just the starter, and focusses on a specific area. More to come later taking a wider scope. There will be typos, etc, that I'll eventually fix. (I have 'Liz Dexia' to some extent so can only see some typos, etc, once my brain has time to 'forget what I wrote' and lets me read what I *actually* typed. )
I have to finish something else I'm writing, and then will get on with the next stage of investigating MQA.
What statement from 'Amir' was being referred to earlier? I've not been reading ASR as I've been busy. But will have a look.
I noted the comment in one posting about pre-ringing being removed. That might tie in with the dispersion filtering found on GO's output file.
BTW 'lossy' for a codec means that we can expect information to be discarded, but if the codec is a good one, and you use a high rate, the effect of the loss may not matter (much) or even pass un-noticed. As R3 listeners may know, their 320k aac is pretty good. FWIW when they also ran a flac stream of the proms I ended up agreeing with their engineers that the two were essentially indistinguishable. Although one of them after repeated tries could spot some differences in a particular case.
However with MQA the issue isn't simply 'loss' it is the *addition* of things not in the source. Waving hands over a 'magic triangle' where 'no music can possibly be' actually in IT terms implies an *inefficiency* in MQA as well as adopting the same stance as 'lossy' encodings of assuming some things can be discarded. This may not matter in practice if no-one can hear the losses or additions, but it makes it shaky in IT terms to say 'lossless' to mean more than a personal opinion on the basis of your individual hearing and experience of the content *when you can judge by comparision* with the same source material conveyed by formally lossless, etc, means. One of our problems here is that last bit.