Julf
Facts are our friends
squidgy feet doesnt decouple
Any material that exhibits elasticity decouples to some degree.
squidgy feet doesnt decouple
goal is full decoupling, not to some degreeAny material that exhibits elasticity decouples to some degree.
goal is full decoupling, not to some degree
decoupling down to 20hz effectively, very few material can do it.
yes, because under a certain frequency (probably around 60hz and under), the little squidgy feet do not decouple at allSure, but you wrote "squidgy feet doesnt decouple", not "squidgy feet don't decouple enough".
I should have been clear, I did mean sorbothane, speakers rock with this placed underneath them, even the Atacama gel pads, which are quite firm compared to some I have encountered, the speaker still moves which IMO is bad for SQ, they work well on a wall shelf as placing cones will do little if the shelf can move up & down with the music but I feel stability is key to get the best from speakers, choosing a stand that will resonate least is the path I have taken, Oak, if designed correctly & assembled correctly, seems to work, it's lighter than metal so will store less vibrational energy, allowing vibration to travel more quickly through it, as opposed to steel, which will store the vibration for longer, it's stiff & stable once sited, the sound is far better with my speakers with my Oak stands than any metal stand I have tried, much cleaner & open with less artifice that I find with metal stands, I find metal stands are more akin to tone controls, they all have such a varied effect on a given speaker, it seems pointless, I prefer the sound more natural, without the mass that isn't needed if the stand is designed correctly in the first place, my Oak stands are around a third of the weight of my, already lightweight, Soundstyle stands, yet are more stable with a speaker atop them, I have tried some that you would need a crane to shift, it killed the sound to a dull thud.squidgy feet doesnt decouple
you need a material that really isolate between speaker and floor down to 20hz. only sylomer, sorbothane or complex suspension system will decouple to a degree where decoupling should sound better then coupling via spikes
yes, because under a certain frequency (probably around 60hz and under), the little squidgy feet do not decouple at all
There you go with your absolutes again. Even at 60hz and under, the little squidgy feet do decouple to some (but very small) degree, just like any elastic material. Not that it makes a difference in practice, but "not at all" is not accurate.
I've not heard negatives (apart from cost!) about the Townshend supports. I'm not saying there aren't any, and of course you need different springs for different weights, they won't fit on shelves, etc, but otherwise are there downsides, acoustically? Does anyone here know?There is no ‘one way’ with stands, e.g. etc, etc....
Just playing with tone controls as far as I can see.There is no ‘one way’ with stands, e.g. the heavy Targets are the best I’ve heard in certain speaker contexts and can make open frame stands sound defuse and gutless. The ideological chants of some here have no place in audio IMO. It is just too complex and nuanced a subject for a simplistic single answer. What works under say a ProAc or LS3/5A in one system doesn’t work under a Kan or Royd in another. Change the room and again the speaker/stand interface may change beyond recognition. I’ve been lucky/unlucky enough to have moved house/flat many, many times over the years so have rather a lot ofexperience of this particular aspect (and I’m someone who rejects any house or flat with a poor shaped/sounding listening room, I just won’t live there)! Preconceptions mark out the fool, that much I do know!
Basically there is no ‘right’ between high mass & low mass, spikes, cones, Blu-Tac, felt, sorbothane etc. Only what works in any given system to the particular owner’s priorities. The rest is just noise.
If only there was such a surface.place it on a surface that will not add to or take away from, to the least degree, the initial sound,
I've not heard negatives (apart from cost!) about the Townshend supports. I'm not saying there aren't any, and of course you need different springs for different weights, they won't fit on shelves, etc, but otherwise are there downsides, acoustically? Does anyone here know?
I've done that, and it worked very well. The speakers (actually the HF/MF cabinets above the bass cabs) were suspended on a kind of swing, with cotton ropes. Strangely the bass improved most, more than the higher frequencies. But very little WAF.I have a feeling suspending speakers from the ceiling on something with a degree of compliance might be the best approach of all.
After 30 years of going down the well trodden 70's/80's path of metal/mass route, I came to the conclusion, this is killing the sound of any speaker I place on it, when a stand can make my Castles sound like a Royd Saphire on steroids, you know something is wrong.If only there was such a surface.
Were they tuned to the mass of the speakers, so the resonant frequency was 2-3 Hz? If not you missed the point.I have tried springs (FFS) springs under a speaker makes no logical sense whatsoever but I tried it, oh dear, the worst idea I have ever come across,
Sorry, no such animal.They were professionally tuned to a pair of Neat speakers I own
Luckily I didn't have to buy them, they were a design in use that were tailored for me to try out at home
Cost an absolute fortune too, what a waste of money for anyone going down this route
No need to spend such amounts to support a pair off speakers, go old school, it works.
Rock solid, if I push these from the front, they don't budge, rock, resonate or vibrate
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