Martyn Miles
pfm Member
I’ve had both and they gave much musical satisfaction.
I don’t spend hours trying to find differences.
I don’t spend hours trying to find differences.
WeirdoI’ve had both and they gave much musical satisfaction.
I don’t spend hours trying to find differences.
I’ve had both and they gave much musical satisfaction.
I don’t spend hours trying to find differences.
It was three Quad amps, and they couldn't hear any difference. It is documented.
There are subtle differences in LS3/5As, much less so with amplifiers.Says the guy who’s owned pretty much every LS3/5A variant ever made! ;-)
Damn fine point !It's ironic that Quad had one of the greatest ranges of possible sound modification due to loudspeaker interaction, in the II (valve), 303 (small output capacitor) and 405 (conventional BJT) models
It's generally attributed to Peter Walker of Quad, never heard the Stewart Hegeman attribution (?)As I understand it, ‘a straight wire with gain’ was a phrase that first comes from Stewart Hegeman, designer of the famous Harmon Kardon Citation II amp
Didn't Gilbert Briggs run demonstrations with live musicians or singer and a pair of Wharfedale speakers behind a curtain, and listeners couldn't tell the difference? Also early films (in black and white) convinced audiences that the effect of a train approaching was real?It joined many AES run tests that also showed routinely that people couldn't demonstrate they could hear 'differences' they'd claimed they could. Or at least, once for the 'reason' they assumed. Thing is, hearing varies with time, exposure to sound, the precise way you position your head, and if you have already heard something else or not.
It's generally attributed to Peter Walker of Quad, never heard the Stewart Hegeman attribution (?)
Damn fine point !
Which distortions hasn't it got?Some find it 'lacking' because with near zero distortion, it has no 'sound'.
That really doesn't flow and I get your point ! I sort of meant this post to be flippant/fun but as always some really interesting thoughts.Of course it should have been 'a straight wire with gain and an impedance transformation to buffer the source from the load' but that wasn't as catchy.
I think that the Wharfedale and Acoustic Research demos worked mostly because the listeners were sitting (too) far-field, and AR recorded the musicians outdoors to remove all ambience cues and each speaker would reproduce a single instrument, no different than an electric guitar or electric bass amplfier.Didn't Gilbert Briggs run demonstrations with live musicians or singer and a pair of Wharfedale speakers behind a curtain, and listeners couldn't tell the difference?
Autoformers will give you gain at the expense of current, passively.
Which distortions hasn't it got?
Not the demo I was referring to, no curtain and in a large hall. Besides, you have managed to miss the whole point of my post; that without a reference we are easily fooled. A case of not seeing the wood for the trees!I think that the Wharfedale and Acoustic Research demos worked mostly because the listeners were sitting (too) far-field, and AR recorded the musicians outdoors to remove all ambience cues and each speaker would reproduce a single instrument, no different than an electric guitar or electric bass amplfier.
Not in the absence of a signal.Distortion is a sound.
From this we can conclude that you're very happy with your AHB2 and that is has low distortion into the tested loads. Both good things for sure!The distortions which come from electronic components, and their design.
Distortion is a sound.