A superb preamp to this day. To my ears in my set up, the concordant/dynavector Hx bettered the naim 552 and 300.
So I thought about upgrading the caps first.
Every one goes on about the alps blue pot, but whats in those expensive Lebens and Lavardins and sonneter amps??? ALps Blue pots. BY far the most musical if not the most transparent, although in most systems it is more than adequate in my opinion.
The valve anode LCR smoothing caps have copies made by ASR so they were changed first. Made the sound slightly more dynamic, transparent and slightly more refined overall.
Then chnaged the 4 heater caps in the power supply to elna cerafine. Superb detail and claity and bass definition with refinement in great abundance. But the music was not making sense. Replaced the old cans and the magic returned halfway all be it with a return of the coarser sound. However to get the musicality fully back i managed to find LCR 100uf 500v caps so i used two in paralel and replaced the other ASR with the original. This brought the magic right back and if anything it was somewhat more involving and musical.
There are no labels on them and my meter states the capacitance is over 10000uf each. There are cg Mallory ones on my second concordant but it's power supply is identicle except for having half the number of capacitors for both supplies. However the two concordants almost sounded identicle in their respective unmodded versions.
SO I guess I better get NOS mallory CG for the heater supplies and see if that makes an improvement, especially in terms of 'roughness' to the sound. I dare not touch anything else, not even the wiring as Mr Dunlop really did listen and choose every component carefully. He understood what musicality was all about all those years ago. His absence and talent has been greatly missed.
Why are the heater dc smoothing caps making such a difference.
So I thought about upgrading the caps first.
Every one goes on about the alps blue pot, but whats in those expensive Lebens and Lavardins and sonneter amps??? ALps Blue pots. BY far the most musical if not the most transparent, although in most systems it is more than adequate in my opinion.
The valve anode LCR smoothing caps have copies made by ASR so they were changed first. Made the sound slightly more dynamic, transparent and slightly more refined overall.
Then chnaged the 4 heater caps in the power supply to elna cerafine. Superb detail and claity and bass definition with refinement in great abundance. But the music was not making sense. Replaced the old cans and the magic returned halfway all be it with a return of the coarser sound. However to get the musicality fully back i managed to find LCR 100uf 500v caps so i used two in paralel and replaced the other ASR with the original. This brought the magic right back and if anything it was somewhat more involving and musical.
There are no labels on them and my meter states the capacitance is over 10000uf each. There are cg Mallory ones on my second concordant but it's power supply is identicle except for having half the number of capacitors for both supplies. However the two concordants almost sounded identicle in their respective unmodded versions.
SO I guess I better get NOS mallory CG for the heater supplies and see if that makes an improvement, especially in terms of 'roughness' to the sound. I dare not touch anything else, not even the wiring as Mr Dunlop really did listen and choose every component carefully. He understood what musicality was all about all those years ago. His absence and talent has been greatly missed.
Why are the heater dc smoothing caps making such a difference.