Josette Simon, who played Dayna in the final series of B7 seems to be stalking my viewing lately. She was in
The Witcher. and had also appeared in the surprisingly good
Halo on Paramount. And in
Small Axe before that. As stalkers go, I won't complain
, but it was just surprising to see
anyone from B7 in anything these days given the general age of the cast at the time (Simon was youngest, at 22, according to IMDB).
On the programme itself, nine-year-old me, oblivious to shoddy sets and RADA hammery, loved it. I tried to watch it again a couple of years ago (they're all on YouTube if you look), but it was clear that its ambition very quickly overran its resources. The first three episodes are actually very good: tightly written with good character development and a feeling that everyone actually lives in that world - even the production values hold up okay. It's only later that it starts to unravel. But I was surprised at how grim that first episode was: the totalitarian Federation (heh) murders an entire meeting of activists, then frames their leader on a trumped-up paedophilia charge (a wholly believable tactic given how effectively it would turn people against the accused, but surprising to see this topic even tangentally approached in a 1970s sci-fi programme), and then for good measure knocks off the prosecutor when he starts to smell a rat...
But the problem was always money. B7 was commissioned by BBC to replace a cop show (was it
Z Cars? I'm too young to remember), and so the Beeb gave the production the same budget as a cop show.. out of which they had to create an entire world plus special effects and models, costumes and sets (Apparently in Series 2, the BBC relented and attached a proper costume designer to the production, which made things a little better). The other sign of the budget was a lack of time given to writers... this meant scripts had very little work done on them before shooting, with the result that the stories were riddled with plot holes and iffy characterisation. The grand arc of a fight against a corrupt oppressive regime got lost along the way.
It's a programme that would do well if rebooted and modernised, but it will never be, for two reasons: first, most people who remember it remember it as being "a bit shit"; second, most Americans would think it was a knock-off of
Firefly when the debt is actually owed in the other direction.