You owe it to yourself to listen to Naim SL2s.
available at ridiculous prices and a great match for the NAP300. You could get an NDS with the change!
SJB
Matt,
what's wrong with your Cremonas?
Seriously curious, I was considering them, but chose a totally different path.
Louis, have you discussed this with your wife? Have you told her that you intend spending 10 000 euros on a pair of speakers?
Have you put it to her that you could spend 1000 euros on speakers that will look unfashionable but sound better than speakers that look fashionable and cost 10 000 euros? And that you would split the savings with 4 500 euros going to you and 4 500 euros going to her for her to spend on anything she wants?
Just thinking, on today of all days, it'd be nice to get her full and honest thoughts and feelings on this major purchase decision.
Another vote for SL2s. I've run mine actively since I got them years ago. Every now and then I think about a change, but I've never found a speaker to compete with them. Gratuitous photo of the old rig before the 252 and SC DR went in :
Actively, SL2s are magnificent. You do suffer with the box count though. I need six boxes just to get signal from amp to speakers. It would be eight with 300s! And that is before you drop in a source!
I've also had fantastic results with Neats, but they can require some care in setup otherwise they can sound a bit hard and unforgiving. A good home demo with some run-in speakers and a careful setup is a must.
Damn they look good!!
Isn't it just a pre, a Snaxo and a pair of power amps though?
TBH I only bought them (second-hand) as a stopgap. Back in the summer I bought a new amp and wanted some decent speakers so I could really enjoy the new kit. I only intended to keep them for a year at most while I did some serious speaker research.
I do love most of what the Cremonas do. 80% of my listening is classical, and the Cremonas are great at rendering the timbre of acoustic instruments. However, my amp tends to overdrive the woofers at very low frequencies (a not uncommon problem with rear-ported two-way speakers). Also the Cremonas don't produce the scale I'd like for opera.
I've heard the Olympica IIs a couple of times and really like them. They seemed to be as fast and coherent as my Cremonas, but they also do the scale thing.
Matt