So...
I've been digesting the Perfect Miles box set. I've filled in the gaps with this and that, got very attached to both the Second Quintet and the dark seventies live albums (Dark Magus, Pangaea, Agharta). I tried and struggled with the Mahavishnu (because I like the Miles fusion stuff), tried Don Cherry's Symphony for Improvisers and definitely liked it...
WHERE NEXT?
Charles Mingus, late period Coltrane and Ornette Coleman, are up there with Miles Davis in terms of musical development and experimentation.
I feel there's also a distinctly German feel to some of Miles' 70s output - stuff like Get Up With It, Live Evil, Pangaea, Agharta etc fit rather well with things like Can's Tago Mago, the improv sides of Amon Düül II's Phalus Dei, Yeti, some Faust etc, just as they do with the preceding jazz or the 60s-70s funk of Sly & The Family Stone, Isaac Hayes etc. It's amazing and very interesting music for sure. I'd love to know how much (if at all) these genres fed from one another.
Charles Mingus, late period Coltrane and Ornette Coleman, are up there with Miles Davis in terms of musical development and experimentation.
You could also try Henry Cow and the multiple releases put out by their one-time guitarist, Fred Frith.
Fred is currently a Professor of Composition in the Music Department at Mills College in Oakland, California.
The Step Across The Border documentary, which includes John Zorn, captures Frith brilliantly.
Jack
Charles Mingus, late period Coltrane and Ornette Coleman, are up there with Miles Davis in terms of musical development and experimentation.
You could also try Henry Cow and the multiple releases put out by their one-time guitarist, Fred Frith.
Fred is currently a Professor of Composition in the Music Department at Mills College in Oakland, California.
The Step Across The Border documentary, which includes John Zorn, captures Frith brilliantly.
Jack