Mike Hanson
Trying to understand...
My buddy is using an iFi SlientPower SMPS to power his Chord QUTEST, and he's itching to switch to a linear supply like the Allo Shanti. He sometimes is convinced he hears differences between gear that don't make any sense, and he's always tweaking something. I've told him to hold off while I play with linear supply design, but he keeps sending links to stuff like the BOTW P&P ECO MKII. I'm going to visit him in a couple of weeks, and I'm taking my own Shanti with me for us to compare, to see if he still thinks he needs a better supply.Okay, so #controversial, but have you considered using a more modern SMPS or DC-DC converter?
For those manufacturers which are brave or open enough to publish them, I'm seeing output ripple waveforms much closer to low-harmonic distortion sine waves at the switching frequency - typically 2-300kHz - than the horrible slopes-and-spikes that you'd see 10-20 years ago, i.e. HF ripple rather than RF spikes.
I can dig out some waveforms from datasheets if you're interested to see them.
FYI, this is the same guy for whom I built four different amps:
- Stereo NCC200 that he justifiably rejected, due to a small ground loop buzz that was more noticeable with his speakers than with mine. Since getting it back, I've solved the buzz by re-routing the wiring.
- Stereo NCC200 that didn't buzz, but he felt didn't boogie.
- Dual mono NCC220/QUDOS that he still felt wasn't quite enough to make him happy.
- Dual mono NCC300 build, which he absolutely loves!