I'm surprised by that. I'd have thought that the speakers of choice for UK students would be along the lines of the Wharfedale Diamond & Mordaunt Short MS10?As I remember them in the 80s, they were popular with students in dormitories as they had smaller spaces and they were not expensive.
It was only decades later that I learned of their popularity in the eastern countries, where I think Tannoys command a premium, leading to much higher prices.
Not in my circle of students. I think they were aimed at a very entry level market rather than the LS3/5a market which was more a step up?I'm surprised by that. I'd have thought that the speakers of choice for UK students would be along the lines of the Wharfedale Diamond & Mordaunt Short MS10?
Ahhh, so you went to a posh college/university? Guessing Quads were popular amplifiers?Not in my circle of students. I think they were aimed at a very entry level market rather than the LS3/5a market which was more a step up?
No - but the ls3/5a were much cheaper then.Ahhh, so you went to a posh college/university?
I'd say that was just snobbery as Diamonds sounded very tidy in the end of a decent amp and source. The Royd A7 was another cheap little box that sounded far better than the price would suggest. Buying these little guys was not lack of taste but shrewd thinking.I knew the Diamonds and MS10s as extreme entry level which I wouldn't touch as I valued better sound quality.
I have both Diamond 2s & LS3/5as. I prefer the LSs flatter FR & phase coherence that gives a real insight into the recording, while the Diamonds might be a tad more engaging. I can complain about the LSs deficiency in dynamics but then the Diamonds sound smaller & more sat-on. But yeah, great wee boxes for the price.I'd say that was just snobbery as Diamonds sounded very tidy in the end of a decent amp and source. The Royd A7 was another cheap little box that sounded far better than the price would suggest. Buying these little guys was not lack of taste but shrewd thinking.
Maybe snobbery as I was well out of that end of the market when they were introduced. I remember that they were the ubiquitous What HiFi recommendation at the time sometimes front ended by an LP12 such was the thinking then.I'd say that was just snobbery as Diamonds sounded very tidy in the end of a decent amp and source. The Royd A7 was another cheap little box that sounded far better than the price would suggest. Buying these little guys was not lack of taste but shrewd thinking.
Yeah, but the price difference.I have both Diamond 2s & LS3/5as. I prefer the LSs flatter FR & phase coherence that gives a real insight into the recording, while the Diamonds might be a tad more engaging.
Dull and boring? The Planar 2 was a bit soft sounding compared to the 3, which was fine with typical bright budget amps and speakers, but the Arcams were not. They were dull, soft and un-dynamic.A friend had the MS10s with a Rega 2 and an Arcam amp and I thought it was poor.
Yeah, but the price difference.
But yeah, great wee boxes for the price.
Stacked LS3/5As? That's a new one on me! With the exception of Quad ESL57s I thought that stacking loudspeakers in a home environment was an American invention, the most common example cited being stacked Advents?Since then I've only heard them either with subs (Rogers) or stacked (Falcon).
Stacked Falcons, anyone done this ? I do love the insane side of this hobby.Stacked LS3/5As? That's a new one on me! With the exception of Quad ESL57s I thought that stacking loudspeakers in a home environment was an American invention, the most notable being stacked Advents?
I really don’t see the problem with using OEM drivers if they’re proven, high quality, well designed, tightly engineered etc by a specialist driver manufacturer. In fact, what could be better?At least Falcon have made expensive investments in cloning the original drivers. There are several very expensive speakers out there using drivers straight out of an OEM catalogue