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How much??!!

Thanks for your original post.
It was news worthy and interesting at the same time.
Having been a very interested reader of reviews and of being a previous owner of this type of speaker I read it it with great interest.
 
I remember when the Goodmans ls35a was £250 a pair. Much as I revered Ken Kessler I thought they were old hat and bought Musical Fidelity Reference 4 which had a clear TPX bass drive and blue metal dome tweeters.
They were shite!
 
I agree the price is phenomenal. However, there are only 50 pairs available & to repeat others here, no one has to buy them. Standard LS3/5As that I’m sure sound as good as any can be had for much less! Jerry was quoted in the review as saying they were for the export market anyway. I’d do the same to contribute to my retirement fund - why not?
 
As I remember them in the 80s, they were popular with students in dormitories as they had smaller spaces and they were not expensive.

It was only decades later that I learned of their popularity in the eastern countries, where I think Tannoys command a premium, leading to much higher prices.
 
As I remember them in the 80s, they were popular with students in dormitories as they had smaller spaces and they were not expensive.

It was only decades later that I learned of their popularity in the eastern countries, where I think Tannoys command a premium, leading to much higher prices.
I'm surprised by that. I'd have thought that the speakers of choice for UK students would be along the lines of the Wharfedale Diamond & Mordaunt Short MS10?
 
I'm surprised by that. I'd have thought that the speakers of choice for UK students would be along the lines of the Wharfedale Diamond & Mordaunt Short MS10?
Not in my circle of students. I think they were aimed at a very entry level market rather than the LS3/5a market which was more a step up?
 
Ahhh, so you went to a posh college/university? 🧐
No - but the ls3/5a were much cheaper then.
I had to live at home so didn't need to worry about space so never went down the small speaker route.
I knew the Diamonds and MS10s as extreme entry level which I wouldn't touch as I valued better sound quality.
I had Gale GS301, Onix OA21 and Michell Focus One all paid by a part time B&Q job.
 
I knew the Diamonds and MS10s as extreme entry level which I wouldn't touch as I valued better sound quality.
I'd say that was just snobbery as Diamonds sounded very tidy in the end of a decent amp and source. The Royd A7 was another cheap little box that sounded far better than the price would suggest. Buying these little guys was not lack of taste but shrewd thinking.
 
I'd say that was just snobbery as Diamonds sounded very tidy in the end of a decent amp and source. The Royd A7 was another cheap little box that sounded far better than the price would suggest. Buying these little guys was not lack of taste but shrewd thinking.
I have both Diamond 2s & LS3/5as. I prefer the LSs flatter FR & phase coherence that gives a real insight into the recording, while the Diamonds might be a tad more engaging. I can complain about the LSs deficiency in dynamics but then the Diamonds sound smaller & more sat-on. But yeah, great wee boxes for the price.
 
I'd say that was just snobbery as Diamonds sounded very tidy in the end of a decent amp and source. The Royd A7 was another cheap little box that sounded far better than the price would suggest. Buying these little guys was not lack of taste but shrewd thinking.
Maybe snobbery as I was well out of that end of the market when they were introduced. I remember that they were the ubiquitous What HiFi recommendation at the time sometimes front ended by an LP12 such was the thinking then.

A friend had the MS10s with a Rega 2 and an Arcam amp and I thought it was poor.

I was in America on holiday and picked up an early Sony Discman cheaply from Walmarts when CD players were still expensive in the UK.
That knocked socks of the Focus One.
 
I have both Diamond 2s & LS3/5as. I prefer the LSs flatter FR & phase coherence that gives a real insight into the recording, while the Diamonds might be a tad more engaging.
Yeah, but the price difference.

A friend had the MS10s with a Rega 2 and an Arcam amp and I thought it was poor.
Dull and boring? The Planar 2 was a bit soft sounding compared to the 3, which was fine with typical bright budget amps and speakers, but the Arcams were not. They were dull, soft and un-dynamic.
 
No doubt they would sound their best driven by a Linn LP12-50 as the source..
After all its only money ( that the majority may not have of course!)
 
Since then I've only heard them either with subs (Rogers) or stacked (Falcon).
Stacked LS3/5As? That's a new one on me! With the exception of Quad ESL57s I thought that stacking loudspeakers in a home environment was an American invention, the most common example cited being stacked Advents?
 
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Stacked LS3/5As? That's a new one on me! With the exception of Quad ESL57s I thought that stacking loudspeakers in a home environment was an American invention, the most notable being stacked Advents?
Stacked Falcons, anyone done this ? I do love the insane side of this hobby.
 
At least Falcon have made expensive investments in cloning the original drivers. There are several very expensive speakers out there using drivers straight out of an OEM catalogue
I really don’t see the problem with using OEM drivers if they’re proven, high quality, well designed, tightly engineered etc by a specialist driver manufacturer. In fact, what could be better?
Whilst I think my ATC actives are exceptionally good, I had decades of pleasure out of various ProAcs. All used stock drivers and the Stewart Tyler magic was in the crossover. Other speaker manufacturers focus their magic on the cabinet structure, shape, materials etc.
 


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