It was an lp12 and Akito arm - I upgraded it massively but then sold and moved over to a well tempered Amadeus. It was only my “collection” of other tt’s and boxes that I lost in the fire.
Thanks. I think the stands are a large part of the value, normal pairs of 57s are plentiful after all.
Worth a try...
Be my guest, keep trying. If you offer me enough for the stands that I can afford to offload the panels cheap, we have a deal. You won't, but it's worth a try.
You certainly can! They work from one amplifier, the way I have them. I currently have a short link connecting L upper to L lower and another one from R upper to R lower. The plugs for these can take another speaker plug, so in it goes. I have also tried biwiring from the same amp, so one speaker wire goes from L amplifier to L upper, another goes L amplifier to L lower, and the same for R channel. You could biamp if you wanted, but you do have to use the existing crossovers in the speakers. You cannot bypass these without extensive internal surgery. I did hear of someone, I think it was one of the hifi manufacturers, who did make an active pair of Quads. The snag is though that you then have to amplify after the XO to several thousand volts for the EHT part of the panel and this gives you huge safety problems for obvious reasons. In the normal design of course the speaker feed is low voltage and this is then stepped up inside the enclosure, which is an earthed metal cage into which you can't put your fingers.
Just under 6 feet, and they are fixed. You could adjust them by moving the attachment points, I've never felt the need. The thing is that a panel so big and mounted on a curve doesn't need careful alignment, there's always one bit of it pointing at you.
A big, ugly pair of TL Pro 9s, the 4 ways with the supertweeter. They need a bit of cosmetic work, to say the least.
