One of the criticisms of these decks is that they sound 'cold' or lack body. I agree with that, up to a point, but... it's not so simple.
In all my years with the LP12 it was well known that the deck sounded better if you took the lid off. To be honest, the difference between the lid up and completely off was not huge but there was a little more openness and clarity without the cover.
The RP10 is a skeletal design but with a seperate plinth sitting around it holding the lid. Bonkers design really but pretty clever. The outer plinth does not touch the actual turntable at all, except for three rubber bands which hold the outer plinth in place by centering the outer feet around the inner feet. Despite this minimal contact between the two parts, there is a very audible difference when the outer plinth is removed.
There are four ways you can play this thing:
Outer plinth on, lid down
Outer plinth on, lid up
Outer plinth on, lid off
Outer plinth and lid off
I've tried them all and you can hear each change. Rega state that the best sound is in skeletal form, no outer plinth or lid, and of course they are right. This way delivers the greatest clarity and least colouration, but it's not how I play records.
Each step makes the deck sound leaner. With the lid down the muddying of the sound is noticeable and unacceptable, to me at least. However, if you remove the lid, even with the outer plinth still in place, the sound looses too much body and weight so for me, a good compromise is the lid up. It is clearly colouring the sound, especially in the bass, but to me it gives a more natural substance to the sound which I like.
I wonder how many people have judged this deck based on its performance in skeletal form...
In all my years with the LP12 it was well known that the deck sounded better if you took the lid off. To be honest, the difference between the lid up and completely off was not huge but there was a little more openness and clarity without the cover.
The RP10 is a skeletal design but with a seperate plinth sitting around it holding the lid. Bonkers design really but pretty clever. The outer plinth does not touch the actual turntable at all, except for three rubber bands which hold the outer plinth in place by centering the outer feet around the inner feet. Despite this minimal contact between the two parts, there is a very audible difference when the outer plinth is removed.
There are four ways you can play this thing:
Outer plinth on, lid down
Outer plinth on, lid up
Outer plinth on, lid off
Outer plinth and lid off
I've tried them all and you can hear each change. Rega state that the best sound is in skeletal form, no outer plinth or lid, and of course they are right. This way delivers the greatest clarity and least colouration, but it's not how I play records.
Each step makes the deck sound leaner. With the lid down the muddying of the sound is noticeable and unacceptable, to me at least. However, if you remove the lid, even with the outer plinth still in place, the sound looses too much body and weight so for me, a good compromise is the lid up. It is clearly colouring the sound, especially in the bass, but to me it gives a more natural substance to the sound which I like.
I wonder how many people have judged this deck based on its performance in skeletal form...