Sorry to be dim, but does this mean the file size would be 50mb each?
Better get one of those Otus things then
LOL, i was thinking of maybe all these extra pixels shows a weakness in the glass?
I don't think the S2 glass was lacking, or any of the other glass i've used.... I know enough about glass to put the right bit in front of sensor. My point is i have not found a sensor that gives me a look i like more than the 1DS3.
..... It seems to me that better pixels (improved colour accuracy, greater dynamic range and low-light performance) are all much higher up on the list of wants than simply more pixels.
Joe
My 1DS3 bought the first week they came out is still knocking out outstanding files. Many higher MP cameras have come and gone through my hands, Leica S2, Hassy CWD, Phase P30plus, Nikon D800E, and none of them look as good as my 1DS3 files. Will a 50MP 5D make me change, not on your life. Besides if i want to produce work i really care about i choose 6x7 film.
Have you tried the 5D2? Great image quality from that camera.
Certainly have Rack, not for me! Ok if you want high ISO. In fact i sold off my spare 1DS3 body as it never got used, and the guy that bought it had just sold his 5D3 and couldn't wait to get back to a 1DS3 on a file quality basis. The sensor's were never the same between the 'One' series and 'five' series.
Heard good things about the 1DX, but i was a bit disappointed with the handling compared to the 1DS3. A couple of shooters i know who have shot their 1DX side by side have said they still prefer the 1DS3 file at 400 and below. Once you get to 800 and above the 1DX pulls away gradually until 1600, and above that it's night and day.
what's the point in having so many pixels?
Sales via Alamy, Getty etc.