I am fairly sure audiophile subjective reviews hadn't been adopted by the mainstream press in the early 70s and was more likely to have been mid to late 70s. The LP12 was a decent but ordinary turntable for a year or two after release until the marketing in some of the first audiophile subjective reviews turned it into a magic one at least in the eyes of people prepared to accept the dubious content of subjective reviews. At the time the reviewers hadn't quite worked out how to get away with subjective reviews and in the first few attempts there was a tendency to make one or two statements that could be checked. For example, I could hear this instrument on this track with the LP12 but not with Technics or whatever. I recall one of the first LP12 subjective reviews falling foul of this and would like to find it. Unless I am mixing it up with another review (a possiblity with my current recall) it talked about how scattering records on a carpet unsleeved didn't interfere with the magic and one of the tracks mentioned with some inaudible instruments was by Roberta Flack I think. Ring any bells with anyone.