I like Victoria de Los Angeles take:Have you heard Kiri Te Kanawa's take? I first heard it whilst watching a NZ film many years back. Perfect accompaniment for the scene and storyline and indelibly etched into my brain. Naturally I sought out the CD at the time.
This is where I roll out my 'classical music favourite version theory'. I believe, for most people, the first version of a classical piece they hear tends to be the one that becomes their favourite, regardless of how many other interpretations subsequently heard. In my case, the von Stade version of Bailero was the first one I heard, and even though I have heard other, perhaps more highly regarded versions (Te Kanawa, Davrath) it remains my favourite.Have you heard Kiri Te Kanawa's take? I first heard it whilst watching a NZ film many years back. Perfect accompaniment for the scene and storyline and indelibly etched into my brain. Naturally I sought out the CD at the time.
Prompted by a reference in another thread to Paul Simon's 'An American Tune', I was musing over which songs did, or still do, reduce me to tears. Off the top of my head:
The aforementioned 'An American Tune', Paul Simon's 'Mother and Child Reunion', Fleetwood Mac's 'Man of the World, Jackson Browne's 'Song for Adam', David Bowie's 'Quicksand', and Robert Wyatt's 'Shipbuilding' and 'Oh Caroline'.