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The Myth of Cables?

Kevin Kelly, managing director of Atlas Cables, tells me that the problem to solve in analogue cables is attenuation; your sound source sends a signal to the amplifier which loses intensity on the way. Similarly, the amplifier sends a signal to the speakers which loses clarity before it arrives.

The cable industry doesn't do itself any favours with nonsense like this.
 
The truth is the difference between a 100$ interconnect and a 5000$ interconnect is 10 times less than the difference between a 10$ 12ax7 and a 20$ 12ax7.
 
Lets hope young Matthew Sparkes doesn't need a job as a journo on 'HIFI Whatever' in the near future.... Say's the Dope thats been mugged off by snake oil sales tactics over the years.
 
When will people accept that it's not the cables themselves (most can conduct a signal as near to 100% as makes no difference) but their effect on the equipment at either end.

(Well I know what I mean anyway!)
 
It's all to do with phonons innit.

Phonons are a major factor governing the electrical and thermal conductivities of a material.

A phonon is a quantum mechanical adaptation of normal modal vibration in classical mechanics. A key property of phonons is that of wave-particle duality; normal modes have wave-like phenomena in classical mechanics but gain particle-like behaviour under quantum mechanics.

The energy of a phonon is proportional to its angular frequency ω:

ε=(n+12)ℏω
with quantum number n. The term 12ℏω is the zero point energy of the mode. This is defined as the lowest possible energy that the system possesses and is the energy of the ground state.

If a solid has more than one type of atom in the unit cell, there will be two possible types of phonons: “acoustic” and “optical” phonons. The frequency of acoustic phonons is around that of sound, and for optical phonons, close to that of infrared light. They are referred to as optical because in ionic crystals they are excited easily by electromagnetic radiation.
 
Sensible conclusions by the author of the piece. In fact other than Andrew Rothwell, there wasn't a whole lot of sense being spoken. Nonsense claims such as "....looses clarity along the way.." and "...they believe that...inclusions...weakens the signal...." blah blah blah. These have nothing to do with proper engineering or science. There's not a lot that we do not understand about signal transmission and cables, FFS, it's the simplest part of an audio chain!!!

A cable, any cable (in analogue terms at least) is part of an overall circuit and as such the impacts of L, C & R will be the things that effect the signal. In most domestic lengths of cable with the impedances concerned from output to input, the effects are likely to be slight if audible at all. For loudspeaker cables, cable length, gauge and reactance can have a greater impact on what you hear depending on construction, loudpsekaer and amps being used (again, its's part of a circuit). There are obvious cases where getting L, C and R right do make an audible difference, eg, between a moving magnet cartridge and a phonostage, where capacitance matters.

However, just because this may be so, is no reason to decry using things that are nice quality if that is your want. Many of us take a little pride in what we have often painstakingly assembled or made, so adding things of a certain quality (ie anything but the ugly and cheap little shoelace freebee cables) at least satisfies our pride if nothing else. Chances are, it'll sound a little bit better too (ducks behind the sofa!)
 
[thetruthis]
Bass goes in a straight line down a cable as it's got a long frequency innit. The treble goes round the outside of the cable.. I hear if you coat the cable in silver on the outside then it gives the treble more 'sparkle' - well it would, its silver innit!!
[/thetruthis]
 
In fairness this has to be the most sensible article to feature in The Telegraph for many a year!
 


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