I'm liking this a lot from the Spotify stream, and I've ordered the LP. I suspect PFM members should account for a good proportion of the pressing.
As a Bowie/Berlin and free jazz fan, I thought at first that it might be too 'straight-ahead', as Sam and Gerard have suggested, but I've change my mind now. The segues from the Enoesque to the more conventional jazz arrangements work well. Looking forward to digesting it thoroughly over the weeks.
All in all, it's a brilliant idea for a project with some excellent playing, and it's beautifully recorded. I'd like to hear a sequel with an extreme and abrasive version of 'Blackout'.