Spot on… on Rega arms, the fixed nature of the arm cable would necessitate modification anyway. It’s possible to fit a DIN socket in the base and then use any arm lead you like. I would make a cable up using Van Damme tour grade XKE Classic. It’s excellent quality stuff with a decent shield and rugged conductors and it’s highly flexible which is very advantageous with a suspended deck… oh and it’s cheap. I’ve used it in rugged live environments for years now and I haven’t found anything better.If using a (rare!) genuinely balanced input phono stage then be careful to check the arm wiring system used. A few (Rega for example) use one of the "signal wires" for arm grounding and make it unsuitable for balanced use without modification. Also some carts connect one channel ground pin (now not used as a ground in a balanced set up) to a metal screen which can contact the arm ground via the headshell in some cases. Beyond that then obviously you just need a way of connecting the cart so you have Red + and Green - for right channel and White +, Blue - for left channel without any of these having any connection to ground and then a separate ground shielding these and preferably connecting to arm ground. Minimum 5 core cable then.
My liking for the XKE is because it’s rugged, flexible, easy to prep and it’s little more than £1 a meter, it’s hugely better than “free in the box” type cable.Any cable of the correct requirements will do just fine ie 2 lengths of 2 core with screen. Be careful to avoid a ground loop hence connect ground at TT/arm to only one of the cable screens.
That looks like a good cable.Cardas, Nordost, Atlas , Zavfino, Kimber, Phasemation all make what you are looking for, there's probably loads more too.
Affordable and available
https://www.ebay.co.uk/itm/25327226...d=link&campid=5338728743&toolid=20001&mkevt=1