JV was interviewed once and asked the exact same question, and his reply was that on any given month one may prefer a 42 over a 32 or vice versa, as the circuit boards, components, and construction varied month by month.
I'd be quite interested to find out what it would sound like if LesW got his hands on it.
Yes, I've owned 32, 32.5, 42, 42.5,42XO, 62, 72 and now a 102. For some reason, I never really got on with the 72, but I like the 102, it's the odd one out that hardly ever gets mentioned; I'd be quite interested to find out what it would sound like if LesW got his hands on it.
Yep - I'd not swap my 102 for any of the above, which is a pity in one respect as I would kinda like to have a CB preamp alongside my CB Hicap & NAP110Much as I enjoyed my old 42.5, the 102 smokes it in terms of hearing what my sources are capable of.
Mr Tibbs
Even after an overhaul / recap?In my opinion, the quality of the cb pres is variable. Some are corkers and some are not.
Even after an overhaul / recap?
Thanks for the input/suggestions - much appreciated.
Interesing re the comments regarding the 102 as from most quarters people seem to think it's an 'acquired taste' and extremely up-front. Sample variation perhaps, as it would appear for many of the pre amps?
What you get with a 102 is clarity and tunefulness - something that seems to lend itself very well to accurately replaying piano, for example, so that might be of interest to you
Mr Tibbs
The NAPSC supply (for the control circuitry) is optional with the 102 but IMO it is a mandatory requirement if you want to hear what is possible from this pre. It also responds very nicely to the addition of a Hicap
I was somewhat astonished by the improvement to my 102 that resulted from changing from Flatcap to Hicap.
I am less convinced by the improvements wrought by a NAPSC. Having "borrowed" the one from the 102 in order to power my new Headline, I can't say I notice much of a difference, but no doubt the NAPSC will go back to the 102 when I get a Hicap for the Headline.