James
Lord of the Erg\o/s
Aye, that's why I unsoldered all components on any given track to eliminate their influence. Last night's and tonight's effort netted me two (!!) track errors. Despite showing see thru clarity of light between tracks, they were (according to my DMM) shorting to ground. The one I found tonight was easily fixed by running the small sharp blade of my Swiss Army knife between the tracks to get rid of any microscopic (they'd have to be ... I couldn't bloody see them) remains of unetched copper.Be careful about attempting to measure resistance and continuity 'in circuit', as the various components (even capacitors) can give you a false reading (esp if using a digital meter).
Well, that fixed the problem. Hurray!!!
I've just finished a two hour listening session, and I remain gob-smacked how such a simple circuit with a triode for each channel can make such sublime music. Whilst I had my Densen preamp in for repairs, I borrowed an Audio Research LS16 mk2 to tide me over for a week. I could easily hear the appeal of valves. The ARC had a richness of tone and timbre that instantly grabbed my attention, but my interest faded soon after when it was clearly let down by the muted dynamics and laid back presentation. Reminded me too much of early day Musical Fidelity.
At USD300 (plus postage), the K8020 promises more, and indeed it delivered. The signature timbral richness was obvious, but this time I didn't fall asleep. The infectious rhythm of Tommy Castro kept me well pinned to my seat. It might not have the crystalline purity of my B-250, but I could easily live with the way it makes music. Alex S was right, the K8020 is a very special preamp, assembly hiccups notwithstanding. Highly recommended for anyone who'd like their first foray into valve preamplification without breaking the bank.
James