It’s the standard Linn hierarchy, no massive insight really.
void the void runs a Mantra, not a Void?
1. Bearing
2. Power Supply
3. Subchassis
4. Top plate
5. Plinth
6. Tone Arm
7. Cartridge
Well for someone who is only a week into reviewing how to determine getting the best vfm from all of the many possibilities of putting together a LP12 system, it does provide me with a useful focus.
It seems that the Cirkus is an important watershed in the history of the LP12 - there obviously is a musicality in pre-Cirkus Linns : positive view , but which might be construed as lacking detail, boomy bass for those preferring "better" later models. So that is a version, I am going to try out - it might well be that my Manticore satisfies that side of me.
If I then think of life post Cirkus, then I should I need to go for the best bearing the Karousel with more detail and according to some the musicality comes back. So I will also do that and then think about the following parts :
Power Supply - a Lingo of some description either newish or re-built.
I am not sure about the importance of getting the latest version of the Subchassis. but I kind of think that having the armband tonearm as one with the sub chassis is important - perhaps they all were, but then it seems that you can get an arm board separately, so I am a bit confused.
Does any one know the subchassis on the new base model - I assume its a Majik ?
If I go for a Linn tonearm then the Ittok seems a good choice. Non Linn, then the safe bet might be a Rega arm and my two existing turntables have those, another one that has been mentioned is the Roksan Nima Uni-Pivot.
Will by ageing ears be able to really tell the difference between the two systems - that could also be interesting.